(10) Bull. dell’ Inst. 1870, p. 187, No. 32 (in Florence).
(11) Gerhard, A.V. 95–6 = Reinach, ii. 53: Contests of Herakles with hydra and Amazons.
To these may be added (12, 13) B.M. B 75 and B 76 (both inscribed); (14) Munich 1108; (15) Vienna 219; (16) Jahrbuch, ii. (1887), p. 154, note 82; (17) B.M. B 154 (inscriptions Attic, but style resembling No. 1); (18) Gerhard, A.V. 205, 3–4 = Reinach, ii. 105, 2 (inscriptions Ionic, but style Chalcidian); (19) Kopenhagen 115 = Daremberg and Saglio, i. p. 821, fig. 1026; (20) Arch. Anzeiger, 1889, p. 91 (in Berlin); also Louvre E 793–813 (according to Pottier). See on the subject generally Pottier, Louvre Cat. ii. p. 551, and for the inscriptions, Kretschmer, Gr. Vaseninschr. p. 62.
[1070]. For a description of the shape of this particular kind of amphora, see p. [160].
[1071]. Arch. Zeit. 1876, p. 108.
[1072]. On the relation of Attic vases to Corinthian, see Wilisch, Altkor. Thonindustrie, p. 137.
[1073]. Tyrrhen. Amphoren (1898).
[1074]. Jahrbuch, 1890, p. 237 ff.; Pottier, Louvre Cat. ii. p. 564.
[1076]. See, J.H.S. xviii. p. 287. The dance is that known as the κόρδαξ.