History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)

by H. B. Walters; Samuel Birch

[1366]. Quint. Inst. Or. xii. 15.

[1367]. This chronology is taken from Robert’s Marathonschlacht, p. 69.

[1368]. Cf. Jahrbuch, ii. (1887), p. 170 ff.

[1369]. J.H.S. x. p. 118. The reverse is illustrated in Fig. [103].

[1370]. See J.H.S. xviii. pl. 14, p. 276 ff.

[1371]. See his monographs on the Nekyia and Iliupersis = Hallisches Festprogramm, Nos. 16 and 17 (1892–93).

[1372]. E.g. B.M. E 492; Reinach, i. 217.

[1373]. See Robert in Mon. Antichi, ix. p. 24; id. Marathonschlacht, p. 55.

[1374]. The type of Orpheus on this vase is clearly derived from Polygnotos; the figure standing with one foot raised, like Antilochos in the Nekyia, is a well-known motive of his. See Furtwaengler, op. cit. p. 161.

[1375]. See Robert, Nekyia, p. 43; Dümmler in Jahrbuch, 1887, p. 170 ff.