[1386]. The British Museum pelike with the Birth of Athena (E 410) and the Tricase vase (J.H.S. xviii. p. 279) may perhaps be his work.
[1387]. Froehner, Tyszkiewicz Coll. pl. 35.
[1388]. For facsimile see Chapter XVII.
[1389]. The following vases are in the style of Meidias, though not necessarily from his hand: Athens 1287 = Reinach, i. 342; Naples, S.A. 311 = Reinach, i. 474, 7; Jahrbuch, 1894, p. 252; Karlsruhe 259 = Furtwaengler and Reichhold, pl. 30; Reinach, i. 472, 1; 476, 2; 477, 2; 493, 3; Dumont-Pottier, i. pl. 8; Furtwaengler and Reichhold, pl. 59.
[1390]. Paus. i. 18, 1.
[1391]. See Robert, Marathonschlacht, p. 97; Nekyia, p. 42. On late R.F. vases with double friezes see Winter, Jüngere attische Vasen, p. 69, and Röm. Mitth. 1897, p. 102. The principle is frequently adopted in the vases of Apulia (e.g. Plate [XLV].); for early Apulian examples see p. [485].
[1392]. See J.H.S. xiii. p. 119.
[1393]. Cat. 1790 = Ant. du Bosph. Cimm. pl. 46 (in colours) = Reinach, i. 23. For a curious imitation of this vase, see Naples 2992.
[1394]. Jahrbuch, 1894, p. 57 ff.
[1395]. Naples 3135, according to him, is contemporaneous with the B.M. Aphrodite cup (D 2), about 460 B.C.