[60]. Vol. ii. p. 57, vignette. Models of this tomb exist in cork, and specimens may be seen in the Winchester College Museum and Eton School Library.
[61]. Scavi di Certosa, 1875, text and plates.
[62]. For tombs at Ruvo see Jatta, Cat. del Museo, p. 53 ff.
[63]. Reference may also be made to Martha, L'Art Étrusque, p. 183 ff.
[64]. For an example in the B.M. see E 811 in the Fourth Vase Room, Cases 6–7. A plain jar of late date, from Halikarnassos, full of calcined bones, is in the Terracotta Room of the B.M., Case 20.
[65]. See also Rathgen, Konservirung von Altertumsfunden, p. 67.
[66]. Westropp, Epochs of Painted Vases, p. 17.
[67]. Inghirami, Vasi Fittili, i. pl. 13; a false vase is also published in Passeri, 300, and others in D'Hancarville, ii. 71, 84. The worst specimen is perhaps that engraved by Millin, Peintures, ii, pls. 54–5 (reproduced in Reinach’s edition), which yet for a long time found general acceptance. As a curiosity and a warning it deserves perpetuation.
[68]. Eng. transl. p. 180 ff.
[69]. Curiously enough there was in M. Tyszkiewicz’s own collection a white-ground cup with the subject of Phrixos (Sale Cat. pl. 35), which is certainly open to suspicion·