[880]. B.M. D 54; Benndorf, Gr. u. Sic. Vasenb. pls. 14, 33; Athens 688 = Reinach, i. 165 = Roscher, ii. 1147; Stackelberg, pl. 48: and cf. Reinach, i. 347 (= Bourguignon Cat. 19) and Benndorf, E.g. pl. 42, 2; in the former the soul is armed; in the latter the winged figure may be the Κήρ. There often seems to be a confusion between the εἴδωλον or ghost and the Κήρ or Δαίμων, both in its functions and its art-form. Thus, on the vase given in J.H.S. xx. p. 101 (see p. [52]), small winged figures like souls are seen flying out of the jar, which are here intended to represent evil spirits or maleficent ghosts, like the evils let out of the jar by Pandora.
[881]. B.M. B 639; Reinach, i. 89; Millin-Reinach, i. 19.
[882]. B.M. B 240, B 543; Berlin 1921.
[883]. Fig. [112], p. 14; Naples 2883 = Reinach, i. 181: cf. the beautiful conception on the Pergamene frieze.
[884]. B.M. E 182 and Petersburg 1792 = Reinach, i. 1; Reinach, i. 66, 113, 208.
[885]. B.M. E 278, Reinach, i. 244 (Louvre E 864), 245, 249; B.M. B 196.
[886]. B.M. B 168, B 213; Él. Cér. ii. 1, 2.
[887]. Bibl. Nat. 298 = Reinach, i. 249, 4 = J.H.S. xx. p. 106, fig. 2 (and cf. ibid. xix. p. 235); Naples 3355 = Reinach, i. 248; Él. Cér. i. 53 = Reinach, i. 249, 6: cf. also B.M. F 147; Froehner, Musées de France, p. 69; Harrison, Prolegomena to Gk. Religion, p. 277; and see above, p. [29].
[888]. As on the vase J.H.S. xxi. pl. 1, p. 5: cf. Schol. in Ar. Av. 971, and Sophocles’ drama of Pandora or the Hammerers (Σφυροκόποι): see also Jahrbuch, vi. (1891), p. 113 ff., and for another explanation, Robert, Arch. Märchen, p. 194 ff. A vase in Berlin (Cat. 2646 = Reinach, i. 229 = J.H.S. xix. p. 232) represents the Ἄνοδος of Ge-Pandora, with Satyrs astonished at the sight.
[889]. Munich 558; Naples S.A. 287; Reinach, i. 129.