FIG. 128. PELEUS SEIZING THETIS (BRITISH MUSEUM).
The next event is the Judgment of Paris, perhaps of all the scenes from the story of the Trojan War the most popular with the vase-painters of all periods. The story of the forsaken Oenone, in the telling of which Tennyson has familiarised us with the scene of the Judgment, did not appeal to the unromantic Greeks in the same way. We only find one vase on which she is possibly represented.[[1352]] Curiously enough, the vase-paintings seldom show the central act of the story—the award of the golden apple. In fact, in the earlier examples Paris is omitted altogether, and we only see the three goddesses led in procession by Hermes. One vase, again, represents the preparations of the goddesses for the trial, Athena washing at a fountain and Aphrodite performing her toilet with the assistance of Eros.[[1353]] The rest may be classified as follows (the order adopted showing a rough chronological development of the type[[1354]]):
From Wiener Vorlegeblätter
FIG. 129. THE JUDGMENT OF PARIS (CUP BY HIERON IN BERLIN).
(1) Hermes leads the three goddesses, Athena alone being characterised; Paris absent. Only on B.F. vases.[[1355]]
(2) Procession-type preserved, but Paris is present, standing. Type modified on R.F. vases.[[1356]]
(3) Procession-type; Paris seated; landscape introduced (see Fig. [129]).[[1357]]
(4) Procession-type abandoned; goddesses picturesquely grouped, with attendant figures. Only on R.F. and later vases.[[1358]] In one instance two stages seem to be represented: first, the goddesses grouped for the Judgment, accompanied by Apollo, Helios, and Selene; secondly, the victorious Aphrodite crowned by Eros.[[1359]]