(21) Aktor and Astyoche (uncertain reference).
Jahrbuch, 1902, pl. 2 (in Boston): see ibid. p. 68, Il. ii. 513 and 658; Schol. in Pind. Ol. vii. 42.
(22) The foundation of Boiae in Laconia by the appearance of a hare.
Reinach, ii. 333 = Inghirami, Vasi Fitt. 120 (this is exceedingly doubtful).
(23) Two boys delivered to a Nymph (unknown myth).
Wiener Vorl. E. 12, 3.
The story of Orpheus often finds a place on vases of the R.F. period,[[1441]] but is chiefly confined to two episodes, his playing the lyre among a group of Thracians[[1442]] (the men recognisable by their costume, see p. [179]), and his pursuit by the Thracian women[[1443]] and subsequent death at their hands.[[1444]] In one scene his head after his death is made use of as an oracle.[[1445]] He is often present in under-world scenes (see p. [68]), but not always in connection with the fetching back of Eurydike.[[1446]]
Thamyris, a quasi-legendary figure, appears contending with the Muses for pre-eminence with the lyre[[1447]]; on one fine R.F. vase he is accompanied by Sappho,[[1448]] who, though strictly an historical personage, appears among the Muses in quasi-mythical guise; he also plays the lyre among Amazons.[[1449]] Other semi-historical persons enveloped in a cloud of fable are: Taras, the founder of Tarentum[[1450]]; Midas, who is generally represented with asses’ ears, and is depicted judging the Seilenos who was caught in his rose-garden and is led before him with hands tied[[1451]]; and Minos, who appears at the slaying of the Minotaur by Theseus,[[1452]] and in the under-world as one of the judges of souls.[[1453]]
Nor must we omit to mention the Amazons, who play such a large part on Greek vases; besides their connection with various legendary events, they are often employed purely as decorative figures. Mention has already been made of their combats with Herakles and Theseus, and of the part played by their queen Penthesileia in the Trojan War[[1454]]; and we also find them in such scenes as the Judgment of Paris[[1455]] and Herakles’ fight with Kyknos.[[1456]] They also contend with Gryphons[[1457]]; and many battle scenes in which they are opposed to Greek warriors may also be here alluded to as not admitting of more definite identification.[[1458]] They are further represented arming and preparing for the fray,[[1459]] or setting out on horseback,[[1460]] or defending a besieged city[[1461]]; and as decorative figures we see them charging,[[1462]] stringing bows[[1463]] and discharging arrows,[[1464]] blowing a trumpet,[[1465]] running by the side of a horse or checking a restive animal,[[1466]] or fastening a shoe[[1467]]; or in peaceful converse with a Greek warrior,[[1468]] or else without any distinguishing action.[[1469]] Nearly all these subjects belong to the R.F. and later periods.