History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)

by H. B. Walters; Samuel Birch

[1441]. Furtwaengler (50^tes Winckelmannsfestprogr. p. 163) refers the Orpheus scenes to the Aeschylean tetralogy of the Lykourgeia.

[1442]. B.M. E 390; Naples 1978, 2889, 3143 (see Reinach, i. 176); Reinach, i. 403 = Roscher, iii. p. 1181; Roscher, iii. p. 1179 (in Berlin).

[1443]. Munich 383; Reinach, i. 63; ii. 80.

[1444]. B.M. E 301; Naples 3114; Reinach, i. 186, 327 (= Roscher, iii. p. 1185–86); Roscher, iii. p. 1184: see also J.H.S. ix. p. 143.

[1445]. Reinach, i. 493 = Roscher, iii. p. 1178.

[1446]. She occurs on B.M. F 270, Petersburg 498, and Karlsruhe 256.

[1447]. Reinach, i. 96 = Helbig, 99; Röm. Mitth. 1888, pl. 9; and see Naples 3143 = Reinach, i. 176.

[1448]. Jatta 1538 = Reinach, i. 526.

[1449]. Athens 1344 = Dumont-Pottier, i. pl. 14.

[1450]. Schreiber-Anderson, Atlas, pl. 5, 10 = Reinach, ii. 333, 5 (burlesque scene with actor as Taras on dolphin: see p. [160]).