[29]. See also Chapters VI.–XI. throughout.
[30]. Morgenthau, Zusammenhang d. Bilder auf gr. Vasen.
[31]. Cf. for instance E 39, 45, 47, 48, in B.M.
[34]. This subject has been admirably treated by Wickhoff in his Roman Art (Eng. edn.), p. 13 ff.
[35]. The publication of this vase by Furtwaengler and Reichhold, Gr. Vasenmalerei, pls. 1–3, 11–13, with full discussion of subjects and technical details, has now superseded all previous illustrations. The only other complete ones were in Mon. dell’ Inst. iv. 54–8 (Reinach, i. p. 134–36) and Wiener Vorl. ii. pls. 1–5. The general view given in Plate [XXVIII]. is reproduced from the first-named work.
[36]. For the abbreviations used in the following notes see the Bibliography ([Vol. I].).
[37]. Munich 125 = Reinach, ii. 120 = Furtwaengler and Reichhold, pl. 32; B.M. F 237: cf. also B.M. B 62.
[38]. The best and most complete examples are as follows:—B.F.: B.M. B 208; Reinach, i. 162 = Louvre E 732. R.F.: B.M. E 47, 469; Berlin 2293, 2531 (both in Wiener Vorl. i. pls. 8 and 5; the latter very good); Bibl. Nat. 573 = Reinach, ii. 256. Best of all (late R.F.), a grand vase found in Melos (Monum. Grecs, 1875, pt. 4, pls. 1–2 = Wiener Vorl. viii. 7), on which no less than eighteen deities are engaged, but none of the giants are named. Hera, Hephaistos, and Amphitrite are absent. Figs. 111 and 112 give two of these—E 732 in Louvre, and the interior of Berlin 2531.