[2044]. See generally Riegl, p. 155 ff.
[2045]. E.g. B.M. E 169.
[2046]. The varieties of this pattern should be carefully distinguished. Corinthian vases have a composition of lotos-flowers only; Chalcidian, palmettes only (cf. Vienna 219; B.M. B 34). In the “Tyrrhenian” amphorae, and subsequently in Attic red-bodied amphorae, the two principles are seen to be united, and palmettes alternate with lotos-flowers. See also Fig. [161].
[2047]. Cf. also an elegant oinochoë with white ground in the British Museum (B 631). On a similar jug at Munich (334 = Brunn-Lau, Gr. Vasen, pl. 22) the palmettes are enclosed in heart-shaped borders. For other vases which, like these, have palmettes for their sole decoration, see British Museum, Second Vase Room, Case 28, and Laborde, Vases de Lamberg, ii. pl. 41.
[2048]. Cf. Riegl, pp. 201–3, and Vol. I. p. [415].
[2049]. They are distinguished by German writers as “Blattrosette” and “Punktrosette.”
[2050]. Cf. Furtwaengler and Loeschcke, Myken. Vasen, pls. 4, 25, 28, 37, 38; J.H.S. xxiii. pl. 5 (Crete).
[2051]. E.g. C 244 in B.M., and Fig. [76] (Vol. I. p. [254]).
[2052]. See Riegl, op. cit. p. 197. He points out that the rosette, although Assyrian in origin, is not here used in a strictly Assyrian fashion.
[2053]. E.g. B.M. B 51, B 197 ff.: cf. also the Proto-Attic vase, Ant. Denkm. i. 57.