The Belfry of Bruges.
(See page [62].)
Except in the case of royalty we seldom now hear of bells being rung to usher mankind into the world; but they have always been associated with the rejoicings of a wedding ceremony, and in some parts, as in Lincolnshire, are even rung at the putting up of Banns. But their use at the time of death is even more universal.
The passing bell originally sounded as a summons to the faithful to pray for a soul just passing out of the world; but it has now degenerated into a mere notice that death has taken place, and as it is rung (to suit the sexton’s convenience) some hours after death, or even on the following day, the name has ceased to be appropriate. It appears to be one of the oldest of all uses of bells, and is said to have been rung for S. Hilda, of Whitby, in 680. Unlike most other customs it received the strong approval of the most ardent reformers, and in the churchwardens’ accounts of the sixteenth and seventeenth centuries there are often long lists given every year of money received from parishioners “for the Knell.” The sum paid was usually fourpence. The 67th Canon directs that the passing bell shall be tolled, “and the minister shall not then slack to do his last duty.”
When the Knell is rung, it is a frequent practice to indicate the age or sex of the deceased. The former is done by tolling a number of strokes answering to the years of his or her life, or more vaguely by using the largest bell for an adult and a smaller for a child. Sex is sometimes similarly indicated, but more usually by what are known as “tellers,” a varying number of strokes for male or female, and sometimes also for a child. The commonest form is three times three for male, three times two for female; and sometimes three times singly for a child; but some parishes keep up curious variations of this rule. The old saying “nine tailors make a man” is really “nine tellers,” or three times three.
The knell with the tellers is sometimes repeated at funerals, but more frequently the tenor bell is tolled at intervals of a minute, becoming more rapid when the corpse appears in sight. In some country districts the bells are or used to be chimed at this time, and in Shropshire this is known as the “joy-bells,” or “ringing the dead home.” In olden days a hand-bell or “lych-bell” was rung before the corpse on its way; this is still done at Oxford at the funeral of any University official.
Bells were largely used in mediaeval times to mark the hours of the day, even before the introduction of clocks. In the monastic establishments they were naturally rung at the canonical hours of twelve, three, six, and nine, for the services of Mattins, Lauds, Prime, Tierce, Sext, None, Vespers, and Compline. It has been suggested that this is the reason why chimes are usually played at these hours, where there are carillons.
But one of the best known uses of bells for this purpose is the Curfew, which was often accompanied by a corresponding bell in the early morning. We have usually been taught that the Curfew or “cover-fire” was a tyrannical and unpopular enactment by William the Conqueror, and therefore a purely legal and secular institution. There is, however, evidence that it was in use long before at Oxford, where King Alfred directed that it should be rung every evening (as it is still); and William probably only made use of an existing custom for the beneficent purpose of guarding against fires.