We started over to the gate. Hallstock and Ravick were ahead of us. So was Sigurd Ngozori, the president of the Fidelity & Trust, carrying a heavy briefcase and accompanied by a character with a submachine gun, and Adolf Lautier and Professor Hartzenbosch. There were a couple of spaceport cops at the gate, in olive-green uniforms that looked as though they had been sprayed on, and steel helmets. I wished we had a city police force like that. They were Odin Dock & Shipyard Company men, all former Federation Regular Army or Colonial Constabulary. The spaceport wasn't part of Port Sandor, or even Fenris; the Odin Dock & Shipyard Company was the government there, and it was run honestly and efficiently.

They knew me, and when they saw Tom towing my hamper they cracked a few jokes about the new Times cub reporter and waved us through. I thought they might give Bish an argument, but they just nodded and let him pass, too. We all went out onto the bridge, and across the pit to the equator of the two-thousand-foot globular ship.

We went into the main lounge, and the captain introduced us to Mr. Glenn Murell. He was fairly tall, with light gray hair, prematurely so, I thought, and a pleasant, noncommittal face. I'd have pegged him for a businessman. Well, I suppose authoring is a business, if that was his business. He shook hands with us, and said:

"Aren't you rather young to be a newsman?"

I started to burn on that. I get it all the time, and it burns me all the time, but worst of all on the job. Maybe I am only going-on-eighteen, but I'm doing a man's work, and I'm doing it competently.

"Well, they grow up young on Fenris, Mr. Murell," Captain Marshak earned my gratitude by putting in. "Either that or they don't live to grow up."

Murell unhooked his memophone and repeated the captain's remark into it. Opening line for one of his chapters. Then he wanted to know if I'd been born on Fenris. I saw I was going to have to get firm with Mr. Murell, right away. The time to stop that sort of thing is as soon as it starts.

"Who," I wanted to know, "is interviewing whom? You'll have at least five hundred hours till the next possible ship out of here; I only have two and a half to my next deadline. You want coverage, don't you? The more publicity you get, the easier your own job's going to be."

Then I introduced Tom, carefully giving the impression that while I handled all ordinary assignments, I needed help to give him the full VIP treatment. We went over to a quiet corner and sat down, and the interview started.

The camera case I was carrying was a snare and a deceit. Everybody knows that reporters use recorders in interviews, but it never pays to be too obtrusive about them, or the subject gets recorder-conscious and stiffens up. What I had was better than a recorder; it was a recording radio. Like the audiovisuals, it not only transmitted in to the Times, but made a recording as insurance against transmission failure. I reached into a slit on the side and snapped on the switch while I was fumbling with a pencil and notebook with the other hand, and started by asking him what had decided him to do a book about Fenris.