Hans Andersen's Fairy Tales. Second Series

by H. C. Andersen

"A short time afterwards another ant got on the tree and made the same journey and the same discovery. But she spoke of it cautiously and indefinitely, and as she was one of the superior ants and very much respected, they believed her. And when she died they erected an egg-shell as a monument to her memory, for they cultivated a great respect for science.

"I saw," said the little mouse, "that the ants were always running to and fro with their burdens on their backs. Once I saw one of them, who had dropped her load, try very hard to raise it again, but she did not succeed. Two others came up and tried with all their strength to help her, till they nearly dropped their own burdens. Then they were obliged to stop a moment, for every one must think of himself first. The ant-queen remarked that their conduct that day showed that they possessed kind hearts and good understanding. 'These two qualities,' she continued, 'place us ants in the highest degree above all other reasonable beings. Understanding must therefore stand out prominently among us, and my wisdom is greatest.' So saying, she raised herself on her two hind legs, that no one else might be mistaken for her. I could not, therefore, have made a mistake, so I ate her up. We are to go to the ants to learn wisdom, and I had secured the queen.

"I now turned and went nearer to the lofty tree already mentioned, which was an oak. It had a tall trunk, with a wide-spreading top, and was very old. I knew that a living being dwelt here, a dryad, as she is called, who is born with the tree and dies with it. I had heard this in the library, and here was just such a tree and in it an oak maiden. She uttered a terrible scream when she caught sight of me so near to her. Like women, she was very much afraid of mice, and she had more real cause for fear than they have, for I might have gnawed through the tree on which her life depended.

"I spoke to her in a friendly manner and begged her to take courage. At last she took me up in her delicate hand, and I told her what had brought me out into the world. She told me that perhaps on that very evening she would be able to obtain for me one of the two treasures for which I was seeking. She told me that Phantæsus, the genius of the imagination, was her very dear friend; that he was as beautiful as the god of love; that he rested many an hour with her under the leafy boughs of the tree, which then rustled and waved more than ever. He called her his dryad, she said, and the tree his tree, for the grand old oak with its gnarled trunk was just to his taste. The root, which spread deep into the earth, and the top, which rose high in the fresh air, knew the value of the drifting snow, the keen wind, and the warm sunshine, as it ought to be known. 'Yes,' continued the dryad, 'the birds sing up above in the branches and talk to each other about the beautiful fields they have visited in foreign lands. On one of the withered boughs a stork has built his nest—it is beautifully arranged, and, besides, it is pleasant to hear a little about the land of the pyramids. All this pleases Phantæsus, but it is not enough for him. I am obliged to relate to him of my life in the woods and to go back to my childhood, when I was little and the tree so small and delicate that a stinging nettle could overshadow it, and I have to tell everything that has happened since then until now, when the tree is so large and strong. Sit you down now under the green bindwood and pay attention. When Phantæsus comes I will find an opportunity to lay hold of his wing and to pull out one of the little feathers. That feather you shall have. A better was never given to any poet, and it will be quite enough for you.'

"And when Phantæsus came the feather was plucked," said the little mouse, "and I seized and put it in water and kept it there till it was quite soft. It was very heavy and indigestible, but I managed to nibble it up at last. It is not so easy to nibble oneself into a poet, there are so many things to get through. Now, however, I had two of them, understanding and imagination, and through these I knew that the third was to be found in the library.

"A great man has said and written that there are novels whose sole and only use appears to be to attempt to relieve mankind of overflowing tears—a kind of sponge, in fact, for sucking up feelings and emotions. I remembered a few of these books. They had always appeared tempting to the appetite, for they had been much read and were so greasy that they must have absorbed no end of emotions in themselves.

"I retraced my steps to the library and literally devoured a whole novel—that is, properly speaking, the interior, or soft part of it. The crust, or binding, I left. When I had digested not only this, but a second, I felt a stirring within me. I then ate a small piece of a third romance and felt myself a poet. I said it to myself and told others the same. I had headache and backache and I cannot tell what aches besides. I thought over all the stories that may be said to be connected with sausage pegs; and all that has ever been written about skewers, and sticks, and staves, and splinters came to my thoughts—the ant-queen must have had a wonderfully clear understanding. I remembered the man who placed in his mouth a white stick, by which he could make himself and the stick invisible. I thought of sticks as hobbyhorses, staves of music or rime, of breaking a stick over a man's back, and of Heaven knows how many more phrases of the same sort, relating to sticks, staves, and skewers. All my thoughts ran on skewers, sticks of wood, and staves. As I am at last a poet and have worked terribly hard to make myself one, I can of course make poetry on anything. I shall therefore be able to wait upon you every day in the week with a poetical history of a skewer. And that is my soup."

"In that case," said the mouse-king, "we will hear what the third mouse has to say."

"Squeak, squeak," cried a little mouse at the kitchen door. It was the fourth, and not the third, of the four who were contending for the prize, the one whom the rest supposed to be dead. She shot in like an arrow and overturned the sausage peg that had been covered with crape. She had been running day and night, for although she had traveled in a baggage train, by railway, yet she had arrived almost too late. She pressed forward, looking very much ruffled.

She had lost her sausage skewer but not her voice, and she began to speak at once, as if they waited only for her and would hear her only—as if nothing else in the world were of the least consequence. She spoke out so clearly and plainly, and she had come in so suddenly, that no one had time to stop her or to say a word while she was speaking. This is what she said.