We again find ourselves in Copenhagen, where we meet with Otto, and may every day expect Wilhelm, Miss Sophie, and the excellent mamma; they would only stay a few weeks. To learn tidings of their arrival, Otto determined to pay a visit where they were expected; we know the house, we were present at the Christmas festival: it was here that Otto received his noble pedigree.
We will now become somewhat better acquainted with the family. The husband had a good head, as people sat, had an excellent wine-cellar, and was, as one of the friends maintained, a good l’hombre player. But the soul of the house, the animating genius, which drew into this circle all that possessed life and youth, was the wife. Beautiful one could by no means call her, but, enchanted by her natural loveliness, her mind, and her unaffectedness, you forgot this in a few moments. A rare facility in appreciating the comic of every-day life, and a good-humored originality in its representation, always afforded her rich material for conversation. It was as if Nature, in a moment of thoughtlessness, had formed an insipid countenance, but immediately afterward strove to make good her fault by breathing into it a soul, which, even through pale blue eyes, pale cheeks, and ordinary features, could make her beauty felt.
When Otto entered the room he heard music. He listened: it must be either Weyse or Gerson.
“It is the Professor Weyse,” said the servant, and Otto opened the door softly, without knocking.
The astral-lamp burnt upon the table; upon the sofa sat two young ladies. The mistress of the house nodded Otto a friendly welcome, but then smiling laid her finger on her lips, as a sign of silence, and pointed to a chair, on which he seated himself, and listened to the soft tones, which, like spirits, floated from the piano at which the musician sat. It was as if the slumbering thoughts and feelings of the soul, which in every breast find a response, even among the most opposite nations, had found a voice and language. The fantasies died away in a soft, spiritual piano. Thus lightly has Raphael breathed the Madonna di Foligno upon the clouds; she rests there as a soap-bubble rests upon velvet. That dying away of the tomes resembled the thoughts of the lover when his eye closes, and the living dream of his heart imperceptibly merges and vanishes in sleep. Reality is over.
Here also the tones ceased.
“Der Bettelvogt von Ninive
Zog hinab zum Genfersee,
Hm, hm!”
[Author’s Note: An old popular German song.]
commenced the musician once more, with an originality and spirit which influenced the whole company. Far too soon did he again break off, after he had enchanted all ears by his own treasures, as well as by the curiosities of the people’s life in the world of sound. Only when he was gone did admiration find words; the fantasies still echoed in every heart.
“His name deserves to be known throughout Europe!” said the gracious lady; “how few people in the world know Weyse and Kuhlau!”
“That is the misfortune of a musician being born in a small country,” said Otto. “His works become only manuscript for friends; his auditory extends only from Skagen to Kiel: there the door is closed.”