He sank, weeping, on his knees and offered up his thanks to God—but forgot him again for her, for her portrait in marble, for the Psyche form, that stood before him, as though cut out of snow, blushing, in the morning sun.

He should see her, the living, floating one, in reality; she, whose words sounded like music. He would himself carry the tidings, that the marble Psyche was completed, to the rich palace. He arrived, passed through the open court-yard, where the water splashed from dolphin's mouths into marble shells, where callas bloomed and fresh roses blossomed. He stepped into the large, lofty hall, whose walls and ceilings were gorgeous with brilliant colours, with paintings and armorial bearings. Well dressed and haughty servants, holding up their heads, (like sleigh horses with their bells,) were pacing up and down; some of them had even stretched themselves out comfortably and insolently on the carved wooden benches; they appeared to be the masters of the house. He named his business, and was conducted up the marble steps, which were covered with soft carpets. On each side stood statues. Then he came to richly decorated apartments, hung with paintings and with mosaic floors.

This pomp, this splendour made him breathe a little heavily, but he soon felt reassured; for the old prince, received him kindly, almost cordially. After they had spoken, as he was taking leave, he begged him to visit the young Signora, for she also wished to see him. The servants led him through magnificent chambers and corridors to her apartments, of which she was the glory and splendour.

She spoke with him! No Miserere, no church song could have melted the heart more, or have more elevated the soul, than did the music of her voice. He seized her hand and pressed it to his lips—no rose is so soft, but a fire proceeds from this rose—a fire streams through him and his breast heaves; words streamed from his lips, but he knew not what he said. Does the crater know that it throws forth burning lava? He told her his love. She stood there, surprised, insulted, proud, yes, scornful; with an expression on her face as though a damp, clammy frog had suddenly touched her. Her cheeks coloured, her lips grew pale, her eyes were on fire, and still black as the darkness of night.

"Frantic creature! Away, away!" said she, as she turned her back upon him. Her face of beauty seemed turned to stone, like unto the Medusa's head with its serpent locks. He descended to the street, a weak, lifeless thing; he entered his room like a night-walker, and in the rage of his grief, he seized his hammer, brandished it high in the air and sought to destroy the beautiful marble form. He did not observe—so excited was he—that Angelo, his friend, stood near him, and arrested his arm with a firm grasp.

"Have you become mad? What would you do?" They struggled with each other. Angelo was the stronger, and with a deep drawn breath, he threw the young artist on a chair.

"What has occurred?" asked Angelo, "Collect yourself! Speak!"

What could he say? What could he tell? As Angelo could not seize the thread of his discourse, he let it drop.

"Your blood grows thick with this eternal dreaming! Be human, like others and live not in the clouds! Drink, until you become slightly intoxicated, then you will sleep well! The young girl from the Campagna, is as beautiful as the princess in the marble palace, they are both daughters of Eve, and can not be distinguished one from the other in Paradise! Follow your Angelo! I am your good angel, the angel of your life! A time will come when you are old, when the body will dwindle and some beautiful sunshiny day, when everything laughs and rejoices, you will lie like a withered straw! I do not believe what the priests say, that there is a life beyond the grave! It is a pretty fancy, a fairy tale for children, delightful to think upon. I do not live in imagination, but in reality! Come with me! Become a man!"

He drew him away, he could do this now, for there was a fire in the young artist's blood, a change in his soul; an ardent desire to tear himself away from all his wonted ways, from all accustomed thoughts; to forget his old self—and to-day he followed Angelo.