Away over forest and heath, over limpid streams and stagnant pools, they hastened towards "the wild morass," and over it they flew in wide circles. The Christian priest held aloft the cross, which looked as dazzling as burnished gold, and as he did so he chanted the mass hymns. Little Helga sang with him as a child follows its mother's song. She swung the censer about as if before the altar, and there came a perfume so strong, so powerful in its effect, that it caused the reeds and sedges to blossom; every sprout shot up from the deep bottom—everything that had life raised itself up; and with the rest arose a mass of water-lilies, which looked like a carpet of embroidered flowers. Upon it lay a sleeping female, young and beautiful. Helga thought she beheld herself mirrored in the calm water; but it was her mother whom she saw—the mud-king's wife—the princess from the banks of the Nile.
The dead Christian priest prayed that the sleeper might be lifted upon the horse. At first the latter sank under the additional burden, as if its body were but a winding-sheet fluttering in the wind; but the sign of the cross gave strength to the airy phantom, and all three rode on it to the solid ground.
Then crowed the cock at the Viking's castle, and the apparitions seemed to disappear in a mist, which was wafted away by the wind; but the mother and daughter stood together.
"Is that myself I behold in the deep water?" exclaimed the mother.
"Is that myself I see on the shining surface?" said the daughter.
And they approached each other till form met form in a warm embrace, and wildly the mother's heart beat when she perceived the truth.
"My child! my heart's own flower! my lotus from the watery deep!"
And she encircled her daughter with her arm, and wept Her tears caused a new sensation to Helga—they were the baptism of love for her.
"I came hither in the magic disguise of a swan, and I threw it off," said the mother. "I sank through the swaying mire deep into the mud of the morass, which like a wall closed around me; but soon I perceived that I was in a fresher stream—some power drew me deeper and still deeper down. I felt my eyelids heavy with sleep—I slumbered and I dreamed. I thought that I was again in the interior of the Egyptian pyramid, but before me still stood the heaving alder trunk that had so terrified me on the surface of the morass. I saw the cracks in the bark, and they changed their appearance, and became hieroglyphics. It was the mummy's coffin I was looking at; it burst open, and out issued from it the monarch of a thousand years ago—the mummy form, black as pitch, dark and shining as a wood-snail, or as that thick slimy mud. It was the mud-king, or the mummy of the pyramids; I knew not which. He threw his arms around me, and I felt as if I were dying. I only felt that I was alive again when I found something warm on my breast, and there a little bird was flapping with its wings, twittering and singing. It flew from my breast high up in the dark, heavy space; but a long green string bound it still to me. I heard and I comprehended its tones and its longing: "Freedom! Sunshine! To the father!" Then I thought of my father in my distant home, that dear sunny land—my life, my affection—and I loosened the cord, and let it flutter away home to my father. Since that hour I have not dreamed. I have slept a long, dark, heavy sleep until now, when the strange sounds and perfume awoke me and set me free."
That green tie between the mother's heart and the bird's wings, where now did it flutter? what now had become of it? The stork alone had seen it. The cord was the green stem; the knot was the shining flower—the cradle for that child who now had grown up in beauty, and again rested near her mother's heart.