What the Moon Saw: and Other Tales

by H. C. Andersen

ingé turns back at the sight of her poor mother.

But whither did Ingé go? She sank into the moor ground, and went down to the moor woman, who is always brewing there. The moor woman is cousin to the elf maidens, who are well enough known, of whom songs are sung, and whose pictures are painted; but concerning the moor woman it is only known that when the meadows steam in summer-time it is because she is brewing. Into the moor woman's brewery did Ingé sink down; and no one can endure that place long. A box of mud is a palace compared with the moor woman's brewery. Every barrel there has an odour that almost takes away one's senses; and the barrels stand close to each other; and wherever there is a little opening among them, through which one might push one's way, the passage becomes impracticable from the number of damp toads and fat snakes who sit out their time there. Among this company did Ingé fall; and all the horrible mass of living creeping things was so icy cold, that she shuddered in all her limbs, and became stark and stiff. She continued fastened to the loaf, and the loaf drew her down as an amber button draws a fragment of straw.

The moor woman was at home, and on that day there were visitors in the brewery. These visitors were old Bogey and his grandmother, who came to inspect it; and Bogey's grandmother is a venomous old woman, who is never idle: she never rides out to pay a visit without taking her work with her; and, accordingly, she had brought it on the day in question. She sewed biting-leather to be worked into men's shoes, and which makes them wander about unable to settle anywhere. She wove webs of lies, and strung together hastily-spoken words that had fallen to the ground; and all this was done for the injury and ruin of mankind. Yes, indeed, she knew how to sew, to weave, and to string, this old grandmother!

Catching sight of Ingé, she put up her double eye-glass, and took another look at the girl. "That's a girl who has ability!" she observed, "and I beg you will give me the little one as a memento of my visit here. She'll make a capital statue to stand in my grandson's antechamber."

And Ingé was given up to her, and this is how Ingé came into Bogey's domain. People don't always go there by the direct path, but they can get there by roundabout routes if they have a tendency in that direction.

That was a never-ending antechamber. The visitor became giddy who looked forward, and doubly giddy when he looked back, and saw a whole crowd of people, almost utterly exhausted, waiting till the gate of mercy should be opened to them—they had to wait a long time! Great fat waddling spiders spun webs of a thousand years over their feet, and these webs cut like wire, and bound them like bronze fetters; and, moreover, there was an eternal unrest working in every heart—a miserable unrest. The miser stood there, and had forgotten the key of his strong box, and he knew the key was sticking in the lock. It would take too long to describe the various sorts of torture that were found there together. Ingé felt a terrible pain while she had to stand there as a statue, for she was tied fast to the loaf.

"That's the fruit of wishing to keep one's feet neat and tidy," she said to herself. "Just look how they're all staring at me!" Yes, certainly, the eyes of all were fixed upon her, and their evil thoughts gleamed forth from their eyes, and they spoke to one another, moving their lips, from which no sound whatever came forth: they were very horrible to behold.

"It must be a great pleasure to look at me!" thought Ingé, "and indeed I have a pretty face and fine clothes." And she turned her eyes, for she could not turn her head; her neck was too stiff for that. But she had not considered how her clothes had been soiled in the moor woman's brewhouse. Her garments were covered with mud; a snake had fastened in her hair, and dangled down her back; and out of each fold of her frock a great toad looked forth, croaking like an asthmatic poodle. That was very disconcerting. "But all the rest of them down here look horrible," she observed to herself, and derived consolation from the thought.

The worst of all was the terrible hunger that tormented her. But could she not stoop and break off a piece of the loaf on which she stood? No, her back was too stiff, her hands and arms were benumbed, and her whole body was like a pillar of stone; only she was able to turn her eyes in her head, to turn them quite round so that she could see backwards: it was an ugly sight. And then the flies came up, and crept to and fro over her eyes, and she blinked her eyes, but the flies would not go away, for they could not fly: their wings had been pulled out, so that they were converted into creeping insects: it was horrible torment added to the hunger, for she felt empty, quite, entirely empty. "If this lasts much longer," she said, "I shall not be able to bear it." But she had to bear it, and it lasted on and on.

Then a hot tear fell down upon her head, rolled over her face and neck, down on to the loaf on which she stood; and then another tear rolled down, followed by many more. Who might be weeping for Ingé? Had she not still a mother in the world? The tears of sorrow which a mother weeps for her child always make their way to the child; but they do not relieve it, they only increase its torment. And now to bear this unendurable hunger, and yet not to be able to touch the loaf on which she stood! She felt as if she had been feeding on herself, and had become like a thin, hollow reed that takes in every sound, for she heard everything that was said of her up in the world, and all that she heard was hard and evil. Her mother, indeed, wept much and sorrowed for her, but for all that she said, "A haughty spirit goes before a fall. That was thy ruin, Ingé. Thou hast sorely grieved thy mother."