And their Bohemian predecessors, who sought the French fifty-cent restaurants as their highest attainable luxury—what has become of them? They have fled before that incursion as a flock of birds before a whirlwind. They leave behind them, perhaps, a few of the more mean-spirited among them, who are willing to degenerate into fawners on the rich, and habitual borrowers of trifling sums. But the true Bohemians, the men who have the real blood in their veins, they must seek some other meeting-place where they can pitch their never-abiding tents, and sit at their humble feasts to recount to each other, amid appreciative laughter, the tricks and devices and pitiful petty schemes for the gaining of daily bread that make up for them the game and comedy of life. Tell me not that Ishmael does not enjoy the wilderness. The Lord made him for it, and he would not be happy anywhere else.

There was one such child of fortune once, who brought his blue eyes over from Ireland. His harmless and gentle life closed after too many years in direst misfortune. But as long as he wandered in the depths of poverty there was one strange and mysterious thing about him. His clothes, always well brushed and well carried on a gallant form, often showed cruel signs of wear, especially when he went for a winter without an overcoat. But shabby as his garments might grow, empty as his pockets might be, his linen was always spotless, stiff, and fresh. Now everybody who has ever had occasion to consider the matter knows that by the aid of a pair of scissors the life of a collar or of a pair of cuffs can be prolonged almost indefinitely—apparent miracles had been performed in this way. But no pair of scissors will pay a laundry bill; and finally a committee of the curious waited upon this student of economics and asked him to say how he did it. He was proud and delighted to tell them.

"I-I-I'll tell ye, boys," he said, in his pleasant Dublin brogue, "but 'twas I that thought it out. I wash them, of course, in the basin—that's easy enough; but you'd think I'd be put to it to iron them, wouldn't ye, now? Well, I've invinted a substischoot for ironing—it's me big books. Through all me vicissichoods, boys, I kept me Bible and me dictionary, and I lay the collars and cuffs in the undher one and get the leg of the bureau on top of them both—and you'd be surprised at the artistic effect."

There is no class in society where the sponge, the toady, the man who is willing to receive socially without giving in return, is more quickly found out or more heartily disowned than among the genuine Bohemians. He is to them a traitor, he is one who plays the game unfairly, one who is willing to fill his belly by means to which they will not resort, lax and fantastic as is their social code. Do you know, for instance, what "Jackaling" is in New York? A Jackal is a man generally of good address, and capable of a display of good fellowship combined with much knowledge of literature and art, and a vast and intimate acquaintance with writers, musicians, and managers. He makes it his business to haunt hotels, theatrical agencies, and managers' offices, and to know whenever, in his language, "a new jay comes to town." The jay he is after is some man generally from the smaller provincial cities, who has artistic or theatrical aspirations and a pocketful of money. It is the Jackal's mission to turn this jay into an "angel." Has the gentleman from Lockport come with the score of a comic opera under his arm, and two thousand dollars in his pocket? Two thousand dollars will not go far toward the production of a comic opera in these days, and the jay finds that out later; but not until after the Jackal has made him intimately acquainted with a very gentlemanly and experienced manager who thinks that it can be done for that price with strict economy. Has the young man of pronounced theatrical talent arrived from Keokuk with gold and a thirst for fame? The Jackal knows just the dramatist who will write him the play that he ought to star in. Does the wealthy and important person from Podunk desire to back something absolutely safe and sure in the line of theatrical speculation? The Jackal has the very thing for which he is looking. And in all these, and in all similar contingencies, it is a poor Jackal who does not get his commission at both ends.

The Jackal may do all these things, but he may not, if he is treated, fail to treat in return. I do not mean to say at all that Jackaling is a business highly esteemed, even in darkest Bohemia, but it is considered legitimate, and I hope that no gentleman doing business in Wall Street, or on the Consolidated Exchange, will feel too deeply grieved when he learns the fact.

But where have the real Bohemians fled to from the presence of the too-well-disposed and too-wealthy children of the Benedick and the Holbein? Not where they are likely to find him, you may be sure. The true Bohemian does not carry his true address on his card. In fact, he is delicate to the point of sensitiveness about allowing any publicity to attach to his address. He communicates it confidentially to those with whom he has business dealings, but he carefully conceals it from the prying world. As soon as the world knows it he moves. I once asked a chief of the Bohemian tribe whose residence was the world, but whose temporary address was sometimes Paris, why he had moved from the Quartier Latin to a place in Montmartre.

"Had to, my dear fellow," he answered, with dignity; "why if you live over on that side of the river they'll call you a Bohemian!"

In Paris the home of wit in poverty has been moved across the Seine to the south side of the hill up which people climb to make pilgrimages to the Moulin Rouge and the church of St. Pierre de Montmartre. In New York it has been moved not only across that river of human intercourse that we call Broadway—a river with a tidal ebb and flow of travel and traffic—but across a wilder, stranger, and more turbulent flood called the Bowery, to a region of which the well-fed and prosperous New Yorker knows very, very little.