“Absolutely nothing,” said the girl. “That’s what made it so awful.
“‘Admiring my treasures?’ he remarked. ‘Pretty things, aren’t they?’ I couldn’t speak a word: I just put them back on the table.
“‘Wonderful copies,’ he went on, ‘of the Duke of Melbourne’s lost miniatures. I think they would deceive most people.’
“‘They deceived me,’ I managed to get out.
“‘Did they?’ he said. ‘The man who painted them will be flattered.’
“All the time he was staring at me, a cold, merciless stare that seemed to freeze my brain. Then he went over to one of the safes and unlocked it. ‘Come here, Miss Benton,’ he said. ‘There are a lot more—copies.’
“I only looked inside for a moment, but I have never seen or thought of such a sight. Beautifully arranged on black velvet shelves were ropes of pearls, a gorgeous diamond tiara, and a whole heap of loose, uncut stones. And in one corner I caught a glimpse of the most wonderful gold chaliced cup—just like the one for which Samuel Levy, the Jew moneylender, was still offering a reward. Then he shut the door and locked it, and again stared at me in silence.
“‘All copies,’ he said quietly, ‘wonderful copies. And should you ever be tempted to think otherwise—ask your father, Miss Benton. Be warned by me; don’t do anything foolish. Ask your father first.’”
“And did you?” asked Drummond.
She shuddered. “That very evening,” she answered. “And Daddy flew into a frightful passion, and told me never to dare to meddle in things that didn’t concern me again. Then gradually, as time went on, I realised that Lakington had some hold over Daddy—that he’d got my father in his power. Daddy—of all people—who wouldn’t hurt a fly: the best and dearest man who ever breathed.” Her hands were clenched, and her breast rose and fell stormily.