The wounds break out a-bleeding; then too the same befell,
And thus could each beholder the guilt of Hagan tell.
The wounds at once burst streaming, fast as they did before;
Those who then sorrowed deeply, now yet lamented more.”[293]
Under Christian II., of Denmark, the “Nero of the North,” early in the sixteenth century, there was a notable illustration of this confidence in the power of blood to speak for itself. A number of gentlemen being together in a tavern, one evening, they fell to quarreling, and “one of them was stabbed with a poniard. Now the murderer was unknown, by reason of the number [present]; although the person stabbed accused a pursuivant of the king’s who was one of the company. The king, to find out the homicide, caused them all to come together in the stove [the tavern], and, standing round the corpse, he commanded that they should, one after another, lay their right hand on the slain gentleman’s naked breast, swearing that they had not killed him. The gentlemen did so, and no sign appeared against them. The pursuivant only remained, who, condemned before in his own conscience, went first of all and kissed the dead man’s feet. But, as soon as he had laid his hand upon his breast, the blood gushed forth in abundance, both out of his wound and his nostrils; so that, urged by this evident accusation, he confessed the murder, and was by the king’s own sentence, immediately beheaded.”[294]
A striking example of the high repute in which this ordeal of touch was formerly held, and of the underlying idea on which its estimate was based, is reported from the State Trials of Scotland. It was during the trial of Philip Standsfield, in 1688, for the murder of his father, Sir James. The testimony was explicit, that when this son touched the body, the blood flowed afresh, and the son started back in terror, crying out, “Lord, have mercy upon me!” wiping off the blood, from his hand, on his clothes. Sir George M’Kenzie, acting for the State, at the inquest, said concerning this testimony and its teachings: “But they, fully persuaded that Sir James was murdered by his own son, sent out [with him] some surgeons and friends, who having raised the body, did see it bleed miraculously upon his touching it. In which, God Almighty himself was pleased to bear a share in the testimonies which we produce: that Divine Power which makes the blood circulate during life, has oft times, in all nations, opened a passage to it after death upon such occasions, but most in this case.”[295]
Mr. Henry C. Lea, in his erudite work on Superstition and Force, has multiplied illustrations of the ordeal of touch, or of “bier-right,” all along the later centuries.[296] He recalls that “Shakspeare introduces it, in King Richard III., where Gloster interrupts the funeral of Henry VI., and Lady Anne exclaims:
‘O gentlemen see, see! dead Henry’s wounds
Open their congealed mouths, and bleed afresh.’”