Not according to the covenant that I made with their fathers
In the day that I took them by the hand
To bring them out of the land of Egypt;
Which my covenant they brake,
Although I was an husband unto them, saith Jehovah.”[[575]]
And Jehovah, speaking through Ezekiel of his loving choice of the Hebrew daughter of the Amorite and the Hittite, says: “Now when I passed by thee, and looked upon thee, behold, thy time was the time of love; and I spread my skirt over thee, and covered thy nakedness: yea, I sware unto thee, and entered into a covenant with thee, saith the Lord God, and thou becamest mine.”[[576]]
It seems to be in recognition of the truth that the Egyptian passover was the rite of marriage between Jehovah and Israel, that the Song of Songs, the epithalamium of the Hebrew Scriptures, is always read in the synagogue at the passover service. This idea of the relation of Jehovah and Israel runs through the entire Old Testament, and shows itself in the Jewish ritual of to-day.
In the primitive marriage rite the stamp of the red hand of the bridegroom is the certification of the covenant union, at the doorway of the family. But in the Egyptian passover it was the virgin of Israel who certified to the marriage covenant by the bloody stamp on the doorway. Hence it was a feminine symbol, in a bush of hyssop, that was dipped in the blood and used for this stamping.[[577]] The tree, or bush, is a universal symbol of the feminine in nature. This is shown, for example, in the tree or brush-topped pole as the symbol of Ashtaroth, “wife,”[[578]] as over against the pillar or obelisk as the symbol of Baal, or “lord,” or “husband.”[[579]]