As years rolled on, the neighbouring Basilica of S. Laurence grew larger and grander. The Basilica of S. Hippolytus built over his cemetery faded away, comparatively uncared for; the great scholar was forgotten in the fame which gathered round the neighbouring popular saint. Paul I, A.D. 756–67, removed the sacred relique of the saint scholar to the well-known City Church of S. Silvester in Capite.
The Cemetery and Basilica of Hippolytus after the remains of the saint had been translated were quickly forgotten, and the very site was in time confused with that of the Cemetery and stately Church of S. Laurence on the other side of the Via Tiburtina. It was only in 1881 that De Rossi discovered the ancient cemetery and the ruined subterranean basilica above briefly described,—the basilica and catacomb visited by Prudentius in the last years of the fourth century, and so vividly painted by him in his hymn in the Peristephanôn.
Outside Rome there are traces of the fame of the great scholar, but not many. There is a ruined church in Portus bearing his name; its tower, still noticeable, is a conspicuous landmark in the desolate Campagna. Arles possesses a church dedicated to Hippolytus. A strange story connects his remains with the once famous royal Abbey of S. Denis close to Paris. His body, or at least portions of his body, are also traditionally enshrined in churches at Brescia and Cologne. The Roman Churches of S. Laurence and the “Quatuor Coronati” also claim to possess reliques of S. Hippolytus.
But these few scattered and doubtful reliques are well-nigh all that remains of Hippolytus, and while many of his writings are still with us, bearing witness to his industry and scholarship, his name and life-work are virtually forgotten by men; and in ecclesiastical annals only a dim, blurred memory of the career of one of the greatest scholars and writers of the first two Christian centuries lives in the pages of that eventful story.
Of the two saints whose basilicas and cemeteries were so close together on that Campagna Road just outside Rome, the one, S. Laurence, men have crowned with an aureole of surpassing glory; the other, S. Hippolytus, whose title to honour was really far superior to that of his companion in the tombs of the Via Tiburtina, men have chosen to forget.
The Via Nomentana
The Via Nomentana leaves Rome on the north through the modern Porta Pia; in ancient times the Porta Nomentana, and in the Middle Ages the Porta S. Agnesi. On this road the Itineraries tell us of three cemeteries: that of S. Nicomedes, of S. Agnes, and the cemetery generally termed “Cœmeterium majus. De Rossi calls this last the Ostrian Cemetery; some call it after the famous martyred foster-sister of Agnes, S. Emerentiana, who was buried there.”
(1) Cemetery of S. Nicomedes.—This is only a small catacomb, but it possesses a high interest on account of its age. It dates evidently from the first century. Tradition tells us that Nicomedes was a presbyter who lived in the days of Domitian. He suffered martyrdom for his faith’s sake, and his body was thrown into the Tiber. A disciple of his, one Justus, recovered his master’s body and buried it “in horto juxta muros.” The garden in question, hard by the city walls, was the site of the present little catacomb.
The masonry work here is of a very early date, and the various Greek inscriptions on the loculi also bear witness to its great antiquity; Marucchi alludes to a reservoir of water in the principal gallery, and believes that the presence of water prevented the cemetery from being further extended.
(2) The Cemetery of S. Agnes is on the Via Nomentana, about a mile from the Porta Pia. S. Agnes has been from very early times a singularly loved figure among the heroines of the days of persecution. Jerome well voices this popular estimate “omnium gentium litteris atque linguis .... vita laudata est.” Her story is well known; how she refused to become the bride of the Proconsul’s son, alleging that she was already the bride of Christ. After some terrible experiences she was condemned to be burned as a Christian, but the fire was too tardy or insufficient, so the executioner stabbed her in the throat. The name “Agnes” is simply a Christian appellation which she assumed signifying her purity and chastity. The name of her family is unknown; it is, however, certain that she belonged to a wealthy, probably to a noble House. She was interred in a cemetery, the property of her parents “in prædiolo suo.”