“I was thinking,” replied Phyl, “that the old woman in the kitchen—Prue—may have meant Juliet when she called me Julie, and that it was the likeness that set her mind going.”
“It’s not impossible. Prue’s like that crazy old clock Selina Pinckney left me in her will. It’d tell you the day and the hour and the minute and the year and the month and the weather. A little man came out if it was going to rain and a little woman if it was going to shine. But if you wanted to know the time, it couldn’t tell you nearer than the hour before last of the day before yesterday, and if you sneezed near it, it’d up and strike a hundred and twenty. I gave it to Rachel. She said it was ‘some’ clock, said it was a dandy for striking and the time didn’t matter as the old kitchen clock saw to that. It’s the same with Prue, the time doesn’t matter, and they look up to her in the kitchen mostly, I expect, because she’s an oddity, same as Selina Pinckney’s clock. Seems to me anything crazy and useless is reckoned valuable these days, and not only among coloured folk but whites—Dinah, hasn’t Mr. Richard come in yet?”
“No, Mistress Pinckney,” replied the coloured girl, who had just entered the room, “I haven’t seen no sign of him.”
“Running about without his luncheon,” grumbled the lady, “said he had a deal in cotton on. I might have guessed it.” Then when Dinah had left the room and talking half to herself, “There’s nothing Richard seems to think of but business or pleasure. I’m not saying anything against the boy, he’s as good and better than any of the rest, but like the rest of them his character wants forming round something real. It wasn’t so in the old days, they were bad enough then and drank a lot more, but they had in them something that made for something better than business or pleasure. Matt Curry didn’t go out and get killed for business or pleasure, and all the old Pinckneys didn’t fight in the war or fight with one another for business or pleasure. There’s more in life than fooling with girls or buying cotton or sailing yacht races, but Richard doesn’t seem to see it. I did think that having a ward to look after would have sobered him a bit and helped to form his character—well, maybe it will yet.”
“I don’t want to be looked after,” said Phyl flushing up, “and if Mr. Pinckney—” she stopped. What she was going to say about Pinckney was not clear in her mind, clouded as it was with anger—anger at the thought that she was an object to be looked after by her “guardian,” anger at the implication that he was not bothering to look after her, being too much engaged in the business of fooling with girls and buying cotton, and a reasonable anger springing from and embracing the whole world that held his beyond Vernons.
“Yes?” said Miss Pinckney.
“Oh, nothing,” replied the other, trying to laugh and making a failure of the business. “I was only going to say that Mr. Pinckney must have lots to do instead of wasting his time looking after strangers, and if he hadn’t I don’t want to be looked after. I don’t want him to bother about me—I—I—” It did not want much more to start her off in a wild fit of weeping about nothing, her mind for some reason or other unknown even to herself was worked up and seething just as on that day at Kilgobbin when the woes of Rafferty had caused her to make such an exhibition of herself in the library. Anything was possible with Phyl when under the influence of unreasoning emotion like this, anything from flinging a knife at a person to breaking into tears.
Miss Pinckney knew it. Without understanding in the least the psychological mechanism of Phyl, she knew as a woman and by some electrical influence the state of her mind.
She rose from the table.
“Stranger,” said she, taking the other by the arm, “you call yourself a stranger. Come along upstairs with me. I want to show you something.”