They could not tell where he got the drink from, nor did they know the fact that his condition was due neither to rum or whisky, but to samshu.
Samshu is a horrible, treacly compound made by the Chinese of the coast; it is not kept in a bottle, but in a jar, and it is the last thing in the way of intoxicants. Balloon Juice, Cape Smoke, Valley Tan vie with each other in villainy, but Samshu is the worst.
It is very rarely found out of Canton and Shanghai, and it had been brought on board the Cormorant by the Chinese cook, who traded it to Harrod for money and tobacco.
A gale had struck them, driving them some hundred miles from their course, and when it had passed, Harrod, one afternoon, under the influence of this stuff, had gone into the hole where paint and varnish were stored, carrying a light. A few minutes later came a cry of fire. Coxon was the first man on deck. He saw in a moment that there was no hope. The varnish room was blazing like a torch, belching smoke and sparks and jets of flame like a dragon, and just as unapproachable.
There was nothing to be done but take to the boats.
The Kanaka crew and the Chinaman whose samshu jar had done all this bundled into the longboat. Floyd ought to have been with them, but he was held back by the work of victualing and lowering the quarter boat, and they shoved off without him, so the three officers were left—Floyd, in the quarter-boat, and the skipper and Harrod quarreling on deck. Coxon's temper had overmastered him. He was the owner of the Cormorant, and his whole fortune was in the trade on board.
Floyd, hanging on with a boat hook, heard the shouting and stamping of the men on deck. He tried to get on board again to separate them, but the smoke drove him back, the heat was terrific, and he cast off, rowing round to the windward side in the hope of boarding her there. As he passed round the stern he was just in time to see the end of the tragedy, Coxon flinging Harrod over the weather rail and following him into the sea.
Neither of the two men appeared again, and the reason was very obvious—the water was filled with gray, flitting shadows. The tragedy of the burning schooner had made its call through the depths of the sea, and the sharks were assembling for the feast. Floyd waited. The whole of this terrible business had left him numb and almost unmoved. Tragedy thrills one most in the theater; on the real stage the imagination becomes paralyzed before the actual.
He pushed away farther from the flaming schooner; she was burning now like a torch, and volumes of white smoke passed away to leeward on the wind.
The sun was setting, and the picture of the burning ship against the glowing western sky would have been unparalleled had there been eyes to see it as a picture. Floyd, gazing at it, watched while the flames, half invisible, like the ghosts of brightly spangled snakes, ran up the masts. He saw the canvas wither away, and then he watched her lurch as the seams opened to the heat and dip her bowsprit in the sea.