"O Prince, from inattention to the humbler forces the king himself may fall into disaster."
"If, on throwing the die, the number should turn up five, the
King or one of the Pawns must move; if four, the Elephant; if
three, the Horse; and if the throw be two, then, O Prince, the
Ship must move."
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ON THE MOVES OF THE PIECES
"The King moves one square in all directions; the Pawn moves one square straightforward, but smites an enemy through either angle, in advance; the Elephant, O Prince of many lands, moves, (so far as his path is clear), In the direction of the four cardinal points, according to his own pleasure. The Horse moves over the three squares in an oblique direction; and the Ship, O Yudhisthira, moves two squares diagonally."
NOTE. The Elephant had the same move as our Rook has, the Horse the same as our Knight. The ship had two clear moves diagonally (a limited form of our Bishop). The King one square in all directions the same as now. The Pawn one square straightforward. There was no Queen in the Chaturanga, but a piece, with a one square move, existed in the two handed modified Chatrang. The Queen, of present powers is first mentioned in the game at the end of the 15th century, when the works of the Spanish writers Lucena and Vicenz appeared in 1495.
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About two thousand six hundred years are supposed to have elapsed between the time of King Pandu, Prince Yudhisthira, Vyasa, and the records of the ancient Chaturanga, to the days of Alexander the Great, to which period the references concerning chess and the Indian Kings contained in Eastern accounts, Firdausi's Persian Shahnama and the Asiatic Society's M.S. presented to them by Major Price, relate.
NOTE. The Shahnama, it is recorded, occupied thirty years in its preparation and contains one hundred and twenty thousand verses.
The long interval of three or four thousand years, between the date ascribed to the Chaturanga, and its reappearance as the Chatrang in Persia, and the Shatranj in Arabia, has perplexed all writers, for none can offer a vestige of trace of evidence, either of the conversion of Chaturanga into Chatrang or Shatranj; or that the game ever continued to be practiced in its old form either with or without the dice, it is conjectured merely, that when the dice had to be dispensed with, as contrary to the law and the religion of the Hindus and when such laws were vigorously enforced, it then became a test of pure skill only, and was probably more generally engaged in by two competitors than four; but, it appears reasonable, when we recollect the oft translated story of Nala, and the evident fascination of the dice to the Hindus, to suppose that the dice formed far too an important element in the Chaturanga to be so easily surrendered; and it is not at all improbable that the prohibition and suppression of the dice destroyed much of its popularity and that the game became much less practiced and ceased to be regarded with a degree of estimation sufficiently high to make it national in character, or deemed worthy of the kind of record likely to be handed down to prosperity. Notwithstanding that the moves of Kings, Rooks and Knights in the Chaturanga were the same as they are now, the absence of a Queen, (which even in the two-handed chess was long only represented by a piece with a single square move) and the limited power of the Bishops and Pawns, must have made the Chaturanga a dull affair compared with present chess as improved towards the close of the Fifteenth century; and it is not so very remarkable that it should have occurred to Tamerlane to desire some extension of its principles, even with our present charming and, as some consider, perfect game, we find that during the 17th and 18th centuries, up to Philidor's time not a good recorded game or page of connected chess history is to be found and we may cease to wonder so much at the absence of record for four or three thousand years or more, for a game so inferior to ours. Were the Chaturanga now to be revived without the dice it would probably not prove very popular.