Besides The Prelude, of which we have already spoken, Wordsworth's other long poems are The Excursion and The White Doe of Rylstone. The White Doe is a story of the days of Queen Elizabeth, of the days when England was still in the midst of religious struggle. There was a rebellion in Yorkshire, in which the old lord of Rylstone fought vainly if gallantly for the Old Religion, and he and his sons died the death of rebels. Of all the family only the gentle Emily remained "doomed to be the last leaf on a blasted tree." About the country-side she wandered alone accompanied only by a white doe. In time she, too, died, then for many years the doe was seen alone. It was often to be seen in the churchyard during service, and after service it would go away with the rest of the congregation.
The Excursion, though a long poem, is only part of what Wordsworth meant to write. He meant in three books to give his opinions on Man, Nature, and Society, and the whole was to be called The Recluse. To this great work The Prelude was to be the introduction, hence its name. But Wordsworth never finished his great design and The Excursion remains a fragment. Much of The Excursion cannot be called poetry at all. Yet, as one of Wordsworth's great admirers has said: "In deserts of preaching we find delightful oases of poetry."* There is little action in The Excursion, and much of it is merely dull descriptions and conversations. So I would not advise you to read it for a long time to come. But to try rather to understand some of Wordworth's shorter poems, although at times their names may seem less inviting.
*Morley.
One of the most beautiful of all his poems Wordsworth calls by the cumbrous name of Intimations of Immorality from recollections of Early Childhood. This is his way of saying that when we are small we are nearer the wonder-world than when we grow up, and that when we first open our eyes on this world they have not quite forgotten the wonderful sights they saw in that eternity whence we came, for the soul has no beginning, therefore no ending. I will give you here one verse of this poem:—
"Our birth is but a sleep and a forgetting:
The Soul that rises with us, our life's Star,
Hath had elsewhere its setting,
And cometh from afar;
Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come
From God, who is our home:
Heaven lies about us in our infancy!
Shades of the prison-house begin to close
Upon the growing Boy,
But he beholds the light, and whence it flows,
He sees it in his joy;
The Youth, who daily further from the east
Must travel , still is Nature's Priest,
And by the vision splendid
Is on his way attended;
At length the Man perceives it die away,
And fade into the light of common day."
Wordsworth, for the times in which he lived, traveled a good deal, and in his comings and goings he made many new friends and met all the great literary men of his day. And by slow degrees his poetry won its way, and the younger men looked up to him as to a master. The great, too, came to see in him a power. Since 1813 Southey had been Laureate, and when in 1843 he died, the honor was given to Wordsworth. He was now an old man of seventy- three, and although he still wrote a few poems, he wrote nothing as Laureate, except an ode in honor of the Prince Consort when he became Chancellor of Cambridge University. Now, as he grew old, one by one death bade his friends to leave him—
"Like clouds that rake the mountain summits,
Or waves that own no curbing hand,
How fast has brother followed brother,
From sunshine to the sunless land!
"Yet I whose lids from infant slumber
Were earlier raised, remain to hear
A timid voice, that asks in whispers
'Who next will drop and disappear?'"*
*Upon the Death of James Hogg.
At length in 1850, at the age of eighty, he too closed his eyes, and went "From sunshine to the sunless land."