One of the first poems Tennyson wrote as laureate was his Ode on the Death of Wellington. Few people liked it at the time, but now it has taken its place among our fine poems, and many of its lines are familiar household words.

Of Tennyson's many beautiful short poems there is no room here to tell. He wrote several plays too, but they are among the least read and the least remembered of his works. For Tennyson was a lyrical rather than a dramatic poet. His long poems besides In Memoriam are The Princess, Maud, and the Idylls of the King. The Princess is perhaps the first of Tennyson's long poems that you will like to read. It is full of gayety, young life, and color. It is a mock heroic tale of a princess who does not wish to marry and who founds a college for women, within the walls of which no man may enter. But the Prince to whom the Princess has been betrothed since childhood and who loves her from having seen her portrait only, enters with his friends disguised as women students. The result is confusion, war, and finally peace. The story must not be taken too seriously; it is a poem, not a treatise, but it is interesting, especially at this time. For even you who read this book must know that the question has not yet been settled as to how far a woman ought to be educated and take her share in the world's work. But forget that and read it only for its light-hearted poetry. The Princess is in blank verse, but throughout there are scattered beautiful songs which add to the charm. Here is one of the most musical—

"Sweet and low, sweet and low,
Wind of the western sea,
Low, low, breathe and blow,
Wind of the western sea!
Over the rolling waters go,
Come from the dying moon, and blow,
Blow him again to me;
While my little one, while my pretty one, sleeps.

"Sleep and rest, sleep and rest,
Father will come to thee soon;
Rest, rest, on mother's breast,
Father will come to thee soon;
Father will come to his babe in the nest,
Silver sails all out of the west
Under the silver moon:
Sleep, my little one, sleep, my pretty one, sleep."

In the Idylls of the King, Tennyson, as you have already heard in Chapter IX, used the old story of Arthur. He used the old story, but he wove into it something new, for we are meant to see in his twelve tales of the round table an allegory. We are meant to see the struggle between what is base and what is noble in human nature. But this inner meaning is not always easy to follow, and we may cast the allegory aside, and still have left to us beautiful dream-like tales which carry us away into a strange wonderland. Like The Faery Queen, the Idylls of the King is full of pictures. Here we find a fairy city, towered and turreted, dark woods, wild wastes and swamps, slow gliding rivers all in a misty dreamland. And this dreamland is peopled by knights and ladies who move through it clad in radiant robes and glittering armor. Jewels and rich coloring gleam and glow to the eye, songs fall upon the ear. And over all rules the blameless King.

"And Arthur and his knighthood for a space
Were all one will, and thro' that strength the King
Drew in the petty princedoms under him,
Fought, and in twelve great battles overcame
The heathen hordes, and made a realm and reign'd."

One story of the Idylls I have already told you. Some day you will read the others, and learn for yourselves—

"This old imperfect tale,
New-old, and shadowing Sense at war with Soul
Rather than that gray King, whose name, a ghost,
Streams like a cloud, man-shaped, from mountain peak,
And cleaves to cairn and cromlech still; or him
Of Geoffrey's book, or him of Malleor's."

Tennyson led a peaceful, simple life. He made his home for the most part in the Isle of Wight. Here he lived quietly, surrounded by his family, but sought after by all the great people of his day. He refused a baronetcy, but at length in 1883 accepted a peerage and became Lord Tennyson, the first baron of his name. He was the first peer to receive the title purely because of his literary work. And so with gathering honors and gathering years the poet lived and worked, a splendid old man. Then at the goodly age of eighty-four he died in the autumn of 1892.

He was buried in Westminster, not far from Chaucer, and as he was laid among the mighty dead the choir sang Crossing the Bar, one of his latest and most beautiful poems.