The principal relics are the hand and arm of St. Gregory, preserved in a silver gilt case; the head of the holy spear, reputed to possess the power of staying epidemics;[37] a fragment of the Ark, to which is attached a jewelled cross; the head and arm of St. Thaddeus, the apostle; the hand and arm of St. Jacob of Nisibis; a panel carved with a crucified Christ, said to be the work of St. John the Apostle and to have been procured by Ashot Patricius; finally a box containing relics of St. Ripsime.

The chapels of the martyrs, which are churches rather than chapels, are situated within short walks from the monastery. Thus St. Gaiane is not more than about a quarter of a mile distant in a southerly direction. St. Ripsime is a little further, say three-quarters of a mile; it is placed to the east of Edgmiatsin and is the first building which you see as you drive from Erivan, on the very outskirts of the trees and greenery. Shoghakath is a near neighbour of Ripsime on the side of the great cloister.

Fig. 57. Edgmiatsin: Exterior of St. Ripsime.

Of these the largest and certainly the most interesting is that which commemorates the brave deeds of the beautiful virgin from Rome. In designing the church of the Holy Ripsime the architect has been faithful to the essential features of that of Edgmiatsin—the quadruple apse and the central dome. But the problem before him was how to eliminate the unsightly projections of the apsidal arms, and how to rear the whole fabric by successive stages to the crown of the dome. His solution of the problem, if somewhat rudimentary and fantastic, is certainly successful from the point of view of looks (Fig. [57] and plan). My reader will of course eliminate the portal and belfry in appreciating this piece of architecture. They were added, the portal in 1653 by the Katholikos Philippos, and the belfry in 1790. He will observe that the outer walls compose a rectangular figure; and a moment’s reflection will show him that such a figure could only be presented by a stupendous thickening of the wall on either side of each apse. This difficulty has been in part surmounted by the introduction of niches, two for each apsidal recess. These external niches are nearly six feet deep on the north and south sides, a little shallower on the west and east. The treatment of this feature is quite inchoate; but we shall see it in perfection at Ani. At the same time it is evident that provision had to be made for a side chapel on either side of the apse on the east. These have been supplied according to a design which I have not seen elsewhere, although it appears to be repeated in the church of Sion in the valley of the Tana, a tributary of the Kur, erected at the end of the tenth century.[38] Between the four apsidal recesses of the interior are inserted the narrow openings of four circular and much smaller cavities, communicating by doors which are almost imperceptible with rectangular chambers or chapels. Of these chambers the two on the east provide the requirements of the church, while those on the west were probably added for uniformity.[39] The effect of the eight recesses, crowned by a dome of unusual diameter for the size of the structure,[40] is extremely pleasing to the eye; and St. Ripsime is the most impressive ecclesiastical edifice which I have yet presented to my reader. The drum of the dome has sixteen sides; besides the windows which it contains, light is admitted through bold apertures in each of the apsidal recesses. Standing beneath the dome, one admires the great height of the building. The interior measurements are a length of 74 feet 1 inch and a breadth of 58 feet 4 inches.

The question of the date of Ripsime is again not free from difficulty. We know that the Katholikos Komitas rebuilt the church in A.D. 618;[41] nor, so far as I have been able to ascertain, do we possess records of any subsequent change in the plan. Students of architecture may be inclined to assign it to a later period. The tomb of the martyr is placed in a grotto beneath the apse on the east.[42] Just west of the portal there is a low building, serving as a residence for monks, and, adjoining it, an enclosure for cows. Church and cloister are surrounded by a high mud wall, with round towers at the angles.

Fig. 58. Edgmiatsin: Exterior of St. Gaiane.

St. Gaiane is an edifice of much humbler architectural pretensions, which is said to date from the pontificate of Ezra (A.D. 628–640) (Fig. [58] and plan).[43] The porch was added, as we learn from an inscription, in the year 1687 by the Katholikos Eleazar. It serves as a place of burial for the pontiffs and contains many alabaster slabs. On the north side have been inserted in the archway of a wide aperture two old Armenian crosses, framed within an ornamental trophy. Entering the building from this portal we are impressed with its simplicity; and this feeling is enhanced by the absence of all decoration, the beautiful masonry being left without any covering of lime. The architect has wisely dispensed with the quadruple apse, and has contented himself with one. But he has retained the rectangular form of the side chapels, and he has separated them by a wall from the body of the building. Four detached piers support a dome which is much smaller than that of Ripsime, but resembles it in the sense of great height which it lends to the interior. The length of the building is 70 feet 2 inches, and the breadth 47 feet. The vault, containing the grave of Gaiane, is approached from one of the side chapels, and is covered by a simple stone with a little carpet, upon which devotees offer coins. The adjacent cloister consists of a humble building on the south-west. The church is surrounded by tombs. Lying against the north wall are some interesting old stones, one of which is exquisitely sculptured (Fig. [59]). It probably constituted a boundary-stone, and may have been brought hither as an offering to the saint. The two figures which are seen in my illustration of the building represent opposite types among the inhabitants of Edgmiatsin. The white-headed abbot on the left belongs to the old school, with habits and standards which are not agreeable or exalted. That on the right is the figure of Dr. Arshak Ter-Mikelean, fresh from the atmosphere of a German university.