They both came to see me later on in the day after the marriage, and there was no bashfulness about either of them then. They came hand-in-hand, with the girl's father and mother and some friends, and she told me it was all her fault: she could not wait.
'Perhaps,' she said, with a little laugh and a side-glance at her husband—'perhaps, if he had gone with the thakin to Rangoon, he might have fallen in love with someone there and forgotten me; for I know they are very pretty, those Rangoon ladies, and of better manners than I, who am but a jungle girl.'
And when I asked her what it was like in the forest, she said it was the most beautiful place in all the world.
Things do not always go so well. Parents may be obdurate, and flight be impossible; or even her love may not be returned, and then terrible things happen. I have held, not once nor twice alone, inquests over the bodies, the fair, innocent bodies, of quite young girls who died for love. Only that, because their love was unreturned; and so the sore little heart turned in her trouble to the great river, and gave herself and her hot despair to the cold forgetfulness of its waters.
They love so greatly that they cannot face a world where love is not. All the country is full of the romance of love—of love passionate and great as woman has ever felt. It seems to me here that woman has something of the passions of man, not only the enduring affection of a woman, but the hot love and daring of a man. It is part of their heritage, perhaps, as a people in their youth. One sees so much of it, hears so much of it, here. I have seen a girl in man's attire killed in a surprise attack upon an insurgent camp. She had followed her outlawed lover there, and in the mêlée she caught up sword and gun to fight by his side, and was cut down through neck and shoulder; for no one could tell in the early dawn that it was a girl.
She died about an hour afterwards, and though I have seen many sorrowful things in many lands, in war and out of it, the memory of that dying girl, held up by one of the mounted police, sobbing out her life beneath the wild forest shadow, with no one of her sex, no one of her kin to help her, comes back to me as one of the saddest and strangest.
Her lover was killed in action some time later fighting against us, and he died as a brave man should, his face to his enemy. He played his game, he lost, and paid; but the girl?
I have seen and heard so much of this love of women and of its tragedies. Perhaps it is that to us it is usually the tragedies that are best remembered. Happiness is void of interest. And this love may be, after all, a good thing. But I do not know. Sometimes I think they would be happier if they could love less, if they could take love more quietly, more as a matter of course, as something that has to be gone through, as part of a life's training; not as a thing that swallows up all life and death and eternity in one passion.
In Burmese the love-songs are in a short, sweet rhythm, full of quaint conceits and word-music. I cannot put them into English verse, or give the flow of the originals in a translation. It always seems to me that Don Quixote was right when he said that a translation was like the wrong side of an embroidered cloth, giving the design without the beauty. But even in the plain, rough outline of a translation there is beauty here, I think: