Matthews stepped into what was evidently a stateroom. A broad bunk filled one side of it, and the visitor could not help remarking a second interior door. But his eye was chiefly struck by two, three, no four, chests, which took up more space in the narrow cabin than could be convenient for its occupant. They seemed to be made of the same mysterious dark wood as the “ark,” clamped with copper.
“I say! Those aren’t bad!” he exclaimed. “More of the spoils of Susa?”
“Ho! My trunks? I had them made up the river, like the rest. But I wonder what would interest you in my museum. Let’s see.” He bent over one of the chests, unlocked it, rummaged under the cover, and brought out a broad metal circlet which he handed to Matthews. “How would that do for a crown, eh?”
The young man took it over to the porthole. The metal, he then saw, was a soft antique gold, wrought into a decoration of delicate spindles, with a border of filigree. The circlet was beautiful in itself, and astonishingly heavy. But what it chiefly did for Matthews was to sharpen the sense of strangeness, of remoteness, which this bizarre galley, come from unknown waters, had brought into the familiar muddy Karun.
“As a matter of fact,” went on the Brazilian, “it’s an anklet. But can you make it out? Those spindles are Persian, while the filigree is more Byzantine than anything else. You find funny things up there, in caves——”
He tossed a vague hand, into which Matthews put the anklet, saying:
“Take it before I steal it!”
“Keep it, won’t you?” proposed the astonishing Brazilian.
“Oh, thanks. But I could hardly do that,” Matthews replied.
“Why not?” protested Magin. “As a souvenir of a pleasant meeting! I have a ton of them.” He waved his hand at the chests.