“But a very good man is sometimes an idle schoolboy.”
“We admit that. And so anyone who has failed to pass the college leaving examination may at any time in later life sit for it again—and again and again. Certain carefully specified things excuse it altogether.”
“That makes it fair. But aren't there people who cannot pass examinations?”
“People of nervous instability—”
“But they may be people of great though irregular poietic gifts.”
“Exactly. That is quite possible. But we don't want that sort of people among our samurai. Passing an examination is a proof of a certain steadiness of purpose, a certain self-control and submission—”
“Of a certain ‘ordinariness.’”
“Exactly what is wanted.”
“Of course, those others can follow other careers.”
“Yes. That's what we want them to do. And, besides these two educational qualifications, there are two others of a similar kind of more debateable value. One is practically not in operation now. Our Founders put it that a candidate for the samurai must possess what they called a Technique, and, as it operated in the beginning, he had to hold the qualification for a doctor, for a lawyer, for a military officer, or an engineer, or teacher, or have painted acceptable pictures, or written a book, or something of the sort. He had, in fact, as people say, to ‘be something,’ or to have ‘done something.’ It was a regulation of vague intention even in the beginning, and it became catholic to the pitch of absurdity. To play a violin skilfully has been accepted as sufficient for this qualification. There may have been a reason in the past for this provision; in those days there were many daughters of prosperous parents—and even some sons—who did nothing whatever but idle uninterestingly in the world, and the organisation might have suffered by their invasion, but that reason has gone now, and the requirement remains a merely ceremonial requirement. But, on the other hand, another has developed. Our Founders made a collection of several volumes, which they called, collectively, the Book of the Samurai, a compilation of articles and extracts, poems and prose pieces, which were supposed to embody the idea of the order. It was to play the part for the samurai that the Bible did for the ancient Hebrews. To tell you the truth, the stuff was of very unequal merit; there was a lot of very second-rate rhetoric, and some nearly namby-pamby verse. There was also included some very obscure verse and prose that had the trick of seeming wise. But for all such defects, much of the Book, from the very beginning, was splendid and inspiring matter. From that time to this, the Book of the Samurai has been under revision, much has been added, much rejected, and some deliberately rewritten. Now, there is hardly anything in it that is not beautiful and perfect in form. The whole range of noble emotions finds expression there, and all the guiding ideas of our Modern State. We have recently admitted some terse criticism of its contents by a man named Henley.”