PORTRAIT OF LUTHER
(From an early German engraving in the British Museum)
In the fifteenth century a great pestilence had produced much social disorganization throughout Europe. There had been extreme misery and discontent among the common people, and peasant risings against the landlords and the wealthy in England and France. After the Hussite Wars these peasant insurrections increased in gravity in Germany and took on a religious character. Printing came in as an influence upon this development. By the middle of the fifteenth century there were printers at work with movable type in Holland and the Rhineland. The art spread to Italy and England, where Caxton was printing in Westminster in 1477. The immediate consequence was a great increase and distribution of Bibles, and greatly increased facilities for widespread popular controversies. The European world became a world of readers, to an extent that had never happened to any community in the past. And this sudden irrigation of the general mind with clearer ideas and more accessible information occurred just at a time when the church was confused and divided and not in a position to defend itself effectively, and when many princes were looking for means to weaken its hold upon the vast wealth it claimed in their dominions.
In Germany the attack upon the church gathered round the personality of an ex-monk, Martin Luther (1483-1546), who appeared in Wittenberg in 1517 offering disputations against various orthodox doctrines and practices. At first he disputed in Latin in the fashion of the Schoolmen. Then he took up the new weapon of the printed word and scattered his views far and wide in German addressed to the ordinary people. An attempt was made to suppress him as Huss had been suppressed, but the printing press had changed conditions and he had too many open and secret friends among the German princes for this fate to overtake him.
For now in this age of multiplying ideas and weakened faith there were many rulers who saw their advantage in breaking the religious ties between their people and Rome. They sought to make themselves in person the heads of a more nationalized religion. England, Scotland, Sweden, Norway, Denmark, North Germany and Bohemia, one after another, separated themselves from the Roman Communion. They have remained separated ever since.
A MAJOLICA DISH PAINED IN COLOURS
An allegory of the Church triumphant over heretics and infidels. Italian (Urbino), dated 1543
(In the Victoria and Albert Museum)
The various princes concerned cared very little for the moral and intellectual freedom of their subjects. They used the religious doubts and insurgence of their peoples to strengthen them against Rome, but they tried to keep a grip upon the popular movement as soon as that rupture was achieved and a national church set up under the control of the crown. But there has always been a curious vitality in the teaching of Jesus, a direct appeal to righteousness and a man’s self-respect over every loyalty and every subordination, lay or ecclesiastical. None of these princely churches broke off without also breaking off a number of fragmentary sects that would admit the intervention of neither prince nor Pope between a man and his God. In England and Scotland, for example, there was a number of sects who now held firmly to the Bible as their one guide in life and belief. They refused the disciplines of a state church. In England these dissentients were the Non- conformists, who played a very large part in the polities of that country in the seventeenth and eighteenth centuries. In England they carried their objection to a princely head to the church so far as to decapitate King Charles I (1649), and for eleven prosperous years England was a republic under Non- conformist rule.