“Is it after sleeping all day ye’d be?” cried Judy Bowles, who was always at her most Irish about breakfast time.
CHAPTER IV
THE UNOBTRUSIVE PARTING
§ 1
Monday was a happy day for Bealby.
The caravan did seventeen miles and came to rest at last in a sloping field outside a cheerful little village set about a green on which was a long tent professing to be a theatre.... At the first stopping-place that possessed a general shop Mrs. Bowles bought Bealby a pair of boots. Then she had a bright idea. “Got any pocket money, Dick?” she asked.
She gave him half a crown, that is to say she gave him two shillings and sixpence, or five sixpences or thirty pennies—according as you choose to look at it—in one large undivided shining coin.
Even if he had not been in love, here surely was incentive to a generous nature to help and do distinguished services. He dashed about doing things. The little accident on Sunday had warned him to be careful of the plates, and the only flaw upon a perfect day’s service was the dropping of an egg on its way to the frying pan for supper. It remained where it fell and there presently he gave it a quiet burial. There was nothing else to be done with it....
All day long at intervals Miss Philips smiled at him and made him do little services for her. And in the evening, after the custom of her great profession when it keeps holiday, she insisted on going to the play. She said it would be the loveliest fun. She went with Mrs. Bowles because Mrs. Geedge wanted to sit quietly in the caravan and write down a few little things while they were still fresh in her mind. And it wasn’t in the part of Madeleine Philips not to insist that both William and Bealby must go too; she gave them each a shilling—though the prices were sixpence, threepence, two-pence and a penny—and Bealby saw his first real play.
It was called Brothers in Blood, or the Gentleman Ranker. There was a poster—which was only very slightly justified by the performance—of a man in khaki with a bandaged head proposing to sell his life dearly over a fallen comrade.
One went to the play through an open and damaged field gate and across trampled turf. Outside the tent were two paraffin flares illuminating the poster and a small cluster of the impecunious young. Within on grass that was worn and bleached were benches, a gathering audience, a piano played by an off-hand lady, and a drop scene displaying the Grand Canal, Venice. The Grand Canal was infested by a crowded multitude of zealous and excessive reflections of the palaces above and by peculiar crescentic black boats floating entirely out of water and having no reflections at all. The off-hand lady gave a broad impression of the wedding march in Lohengrin, and the back seats assisted by a sort of gastric vocalization called humming and by whistling between the teeth. Madeleine Philips evidently found it tremendous fun, even before the curtain rose.