Others among the young men tried it, including two who played wind instruments in a band and were musically knowing men. After their own failure they were strongly on the side of Hoskin and strongly against Briggs, and most of the other young men were of the same opinion.
“Not a bit of it,” said Briggs, who was a man of resource. “I’ll show you that it can be sounded.”
And taking the instrument in his hand, he went towards a peculiarly powerful foot blow-pipe that stood at the far end of the toolshed. “Good old Briggs!” said one of the other young men, and opinion veered about.
Briggs removed the blow-pipe from its bellows and tube, and then adjusted the tube very carefully to the mouthpiece of the trumpet. Then with great deliberation he produced a piece of bees-waxed string from a number of other strange and filthy contents in his pocket and tied the tube to the mouthpiece. And then he began to work the treadle of the bellows.
“Good old Briggs!” said the one who had previously admired him.
And then something incomprehensible happened.
It was a flash. Whatever else it was, it was a flash. And a sound that seemed to coincide exactly with the flash.
Afterwards the young men agreed to it that the trumpet blew to bits. It blew to bits and vanished, and they were all flung upon their faces—not backward, be it noted, but on their faces—and Briggs was stunned and scared. The toolshed windows were broken and the various apparatus and cars around were much displaced, and no traces of the trumpet were ever discovered.
That last particular puzzled and perplexed poor Briggs very much. It puzzled and perplexed him the more because he had had an impression, so extraordinary, so incredible, that he was never able to describe it to any other living person. But his impression was this: that the flash that came with the sound came, not from the trumpet but to it, that it smote down to it and took it, and that its shape was in the exact likeness of a hand and arm of fire.