§ 1

CHRISTINA ALBERTA and Paul Lambone had been great friends for nearly a year. He liked her and admired her, and as became his literary line of work, he studied her. And she liked him and trusted him, and showed off a good lot when she was with him.

Paul Lambone wrote novels and short stories and books of good advice, and he was particularly celebrated for the pervading wisdom of his novels and the excellence of his advice. It was his pervading wisdom that had picked him up out of the general poverty of writers and placed him in a position of comparative prosperity. Not that his conduct of his affairs was wise, but that the quality of his wisdom was extremely saleable. Some writers prosper by reason of their distinctive passion, some by reason of their austerity and truth, some by their excellent invention, and some even by simple good writing, but Paul Lambone prospered because of his kindness and wisdom. When you read the stories you always felt that he was really sorry for the misfortunes and misbehaviour of his characters and anxious to help them as much as he could. And when they blundered or sinned he would as often as not tell you what was the better course they might have chosen. His book of advice, and particularly his Book of Everyday Wisdom and his What to Do on a Hundred and One Occasions sold largely and continually.

But like that James, King of England, to whom the Bible was dedicated, Paul Lambone was far wiser in his thoughts and counsels than in his acts. In small matters and most of the time his proceedings were foolish or selfish or indecisive or all of those things. His wisdom did not reach below the level of his eyes, and his face and body and arms and legs were given over to the unhappiest tendencies which were restrained by his general indolence rather than by any real self-control. He was very well off chiefly because he was lazy; he asked the highest possible prices for everything he wrote because that was just as easy as asking the lowest, and there was always a chance that the bargain would not come off and then he would be saved the trouble of correcting his proofs. He accumulated money because he was too unenterprising to buy things or incur the responsibility of possessions, and so he just let a trust invest it for him. His literary reputation was high because a literary reputation in England and America depends almost entirely upon apparent reluctance of output. The terse beauty of his style was mainly due to his sedulous indisposition to write two words where one would suffice. And in the comfort and leisure his indolence accumulated for him, he sat about and talked and was genially wise and got fatter than was becoming. He tried to eat less as a preferable alternative to taking exercise, but in the presence of drink and nourishment his indolence flagged and failed him. He went about a good deal, and was always eager for new things because they saved him from boredom, the malign parent of much needless activity. He had an expensive little cottage near Rye in Kent to which he could motor without needless trouble whenever London bored him, and directly his cottage bored him he would come back to London. And he visited people’s houses a lot because it was too troublesome to resist invitations.

There were, it must be admitted, limits to the wisdom of Paul Lambone. It is often more difficult to see what is near us than what is far away; many a stout fellow who looks with a clear, discerning eye upon the universe sees little of his toes, and ignores the intervening difficulty; and something sub-conscious in Paul Lambone’s mind obstinately refused to recognize the defective nature of many of his private acts. He knew he was indolent, but he would not allow himself to admit that his indolence was fundamental and vicious. He thought there was a Paul Lambone in reserve of very great energy. He liked to think of himself as a man of swift and accurate decisions who, once aroused, was capable of demoniac energy. He had spent many an hour in arm-chairs, on garden seats, and on Downland turf, thinking out his course of action on various possible occasions of war, business, criminal attempt or domestic crisis. His favourite heroes in real life were Napoleon, Julius Cæsar, Lord Kitchener, Lord Northcliffe, Mr. Ford, and suchlike heroic ants.

He liked Christina Alberta because of her tremendous go. She was always up to something; she preferred standing to sitting, and she kicked her legs about while she talked to you. He idealized her go; he attributed to her much more go than she really had. He was secretly persuaded that her blood must be like a bird’s, a degree or so above normal. He felt that in imagination she had much in common with him. He called her the Last Thing, the Van, the Ultimate Modern Girl, and the Life Force. He openly professed pity for the unaided single-handed man who would in accordance with our social laws presently have to marry her and go her pace and try to keep her in order.

She had been to tea with him once or twice. She perceived his admiration and suspected a certain affection, and she basked in admiration and affection. She liked his books and thought he was very like what he thought he was himself. She told him all sorts of things about herself just to lift his eyebrows.

And he was wise all over her and round and about her, tremendously wise.

§ 2

It was quite interesting to be rung up by Christina Alberta and asked if she might come for tea and advice. “Come along now,” he said. “I’m probably all alone for tea.”