“This show isn’t worth it. Do you ever drift towards Chelsea?”
Joan said she went to Hampstead now and then; she stayed sometimes with the Sheldricks, who were in a congested house on Downshire Hill now, and sometimes with Miss Jepson. Henceforth, now that she was no longer under the Highmorton yoke, she hoped to be in London oftener.
“Did you see the Picasso show?” asked Winterbaum.
She had not.
“You missed something,” said young Winterbaum, just like old times. “Picasso, Mancini; these are the gods of my idolatry....”
Bunny Cuspard interrupted clumsily with some specially iced cakes. Joan, accepting a cake, discovered Wilmington talking absent-mindedly to her chaperon and looking Pogroms at Winterbaum. So Joan, pleased rather than excited by this chance evidence of a continuing interest, lifted up a face of bright recognition and smiled and nodded to Wilmington....
§ 17
It was the ambition of Mrs. Sheldrick and her remaining daughters—some of them had married—to make their home on Downshire Hill “a little bit of the London Quartier Latin.”
Mr. Sheldrick had worn out the large, loose, tweed suit that had held him together for so long, he had gone to pieces altogether and was dead and buried, and the Sheldricks were keeping a home together by the practice of decorative arts and promiscuous hospitalities. Mrs. Sheldrick was writing a little in the papers of the weaker among the various editors who lived within her social range; little vague reviews and poems she wrote, with a quiet smile, that were not so much allusive as with an air of having recently had a flying visit from an allusion that was unable to stay. Sydney Sheldrick was practising sculpture, and Babs was attending the London School of Dramatic Art, to which Adela Murchison had also found her way. Antonia, the eldest, was in business, making djibbah-like robes.
There was downstairs and the passage and staircase and upstairs, a sitting-room in front, and a sort of oriental lounge (that later in the evening became the bedroom of Antonia and Babs) behind. It had all been decorated in the most modern style by Antonia in a very blue blue that seemed a little threadbare in places and very large, suggestive shapes of orange, with a sort of fringe of black and white chequers and a green ceiling with harsh pink stars. And the chairs, except for the various ottomans and cosy corners which were in faded blue canvas, had been painted bright pink or grey.