The nets were breaking, but they would never snap. That in effect was Oswald’s idea in 1913. The bother, from his point of view, was that they had let out Joan and Peter to futility.
There is a risk that the catastrophic events of 1914 may blind the historian to the significance of the spinning straws of 1913. But throughout Europe the sands were trickling before the avalanche fell. The arson of the suffragettes, the bellicose antics of the Unionist leaders in Ulster, General Gough’s Curragh mutiny, were all parts of the same relaxation of bonds that launched the grey-clad hosts of Germany into Belgium. Only the habits of an immense security could have blinded Oswald to the scale and imminence of the disaster. The world had outgrown its ideas and its will.
Already people are beginning to forget the queer fevers that ran through the British community in 1913. For example there was the violent unrest of the women. That may exercise the historian in the future profoundly. Probably he will question the facts. Right up to the very outbreak of the war there was not a week passed without some new ridiculous outrage on the part of the militant suffragettes. Now it was a fine old church would be burnt, now a well-known country house; now the mania would take the form of destroying the letters in pillar-boxes, now the attack was upon the greens of the golf links. Public meetings ceased to be public meetings because of the endless interruptions by shrill voices crying “Votes for women!” One great triumph of the insurgents was a raid with little hammers upon the west-end shop-windows. They burnt the tea pavilion in Kew Gardens, set fire to unoccupied new buildings, inaugurated a campaign of picture-slashing at the public exhibitions. For a time they did much mischief to the cushions and fittings of railway carriages. Churches had to be locked up and museums closed on account of them. Poor little Pelham Ford church had had to buy a new lock against the dangers of some wandering feminist. And so on and so on. But this revolt of the women was more than a political revolt. That concentration upon the Vote was the concentration of a vast confused insurgence of energy that could as yet find no other acceptable means of expression. New conditions had robbed whole strata of women of any economic importance, new knowledge had enormously diminished the need for their domestic services, the birth-rate had fallen, the marriage age had risen, but the heedless world had made no provision for the vitality thus let loose. The old ideals of a womanly life showed absurd in the light of the new conditions. Why be pretty and submissive when nobody wants you? Why be faithful with no one to be faithful to? Why be devoted in a world which has neither enough babies nor lovers nor even its old proportion of helpless invalids to go round? Why, indeed, to come to the very heart of the old ideal, keep chaste when there is no one to keep chaste for? Half the intelligent women in that world had stood as Joan had done, facing their own life and beauty and asking desperately “What is the Good of it?”
But while the old nets rotted visibly, there were no new nets being woven. There was everywhere the vague expectation of new nets, of a new comprehensiveness, a new way of life, but there was no broad movement towards any new way of life. Everywhere the old traditions and standards and institutions remained, discredited indeed and scoffed at, but in possession of life. Energetic women were reaching out in a mood of the wildest experiment towards they knew not what. It was a time of chaotic trials. The disposition of the first generation of released women had been towards an austere sexlessness, a denial of every feminine weakness, mental and physical, and so by way of Highmorton and hockey to a spinsterish, bitter competition with men. A few still bolder spirits, and Aunt Phœbe Stubland was among these pioneers, carried the destructive “Why not?” still further. Grant Allen’s Woman Who Did and Arthur’s infidelities were but early aspects of a wide wave of philoprogenitive and eugenic sentimentality. The new generation carried “why not?” into the sphere of conduct with amazing effect.
Women are the custodians of manners, and mothers and hostesses who did not dream of the parallelism of their impulse with militancy, were releasing the young to an unheard-of extravagance of dress and festival. Joan could wear clothes at a Chelsea dance that would have shocked a chorus girl half a century before; she went about London in the small hours with any casual male acquaintance; so far as appearances went she might have been the most disreputable of women. She yielded presently to Huntley’s persistence and began dancing the tango with him. It was the thing to slip away from a dance in slippers and a wrap, and spend an hour or so careering about London in a taxi or wandering on Hampstead Heath. Joan’s escapades fretted the sleeping tramps upon the Thames Embankment. London, which had hitherto dispersed its gatherings about eleven and got to bed as a rule by midnight, was aspiring in those days to become nocturnal. The restaurants were obliged to shut early, but a club was beyond such regulations. Necessity created the night club, which awoke about eleven and closed again after a yawning breakfast of devilled bones.
A number of night clubs were coming into existence, to the particular delight of young Winterbaum. His boyish ambition for Joan was returning. He had seen her dance and heard her dancing praised. Vulgar people made wild vulgar guesses in his hearing at what lay behind her grave and sometimes sombre prettiness. He pretended to be very discreet about that. It became the pride of his life to appear at some crowded night club in possession of Joan; he did not know what people thought of her or of him but he hoped for the worst. He wore the most beautiful buttons on his white waistcoat and the most delicate gold chain you can imagine. In the cloakroom he left a wonderful overcoat and a wonderful cane. Sometimes he encouraged the ringlets in his hair and felt like Disraeli, and sometimes he restrained them and felt like a cold, cynical Englishman of the darker sort. He would sit swelling with pride beside Joan, and nod to painted women and heavy men; he knew no end of people. He did not care what sort of people they were so long as he knew them. It was always his ambition to be seen drinking champagne with Joan. Joan had no objection in the world, but she could not bring herself to swallow a drink that tasted, she thought, like weak vinegar mixed with a packet of pins and that went up your nose and made your brain swing slowly to and fro on its axis for the rest of the evening. So she just drank nothing at all.
She would sit at her table with her pretty bare arms folded under her like the paws of a little cat, with her face, that still had the delicacy and freshness of a child’s, as intent as any intelligent child’s can be on the jumble of people before her, and her sombre eyes, calm and beautiful, looking at smart London trying at last to take its pleasures gaily. Perhaps some fortunate middle-aged gentleman of Winterbaum’s circle would be attempting to charm her by brilliant conversation, as, for instance Sir Joseph Lystrom, with a full-mouthed German flavour in his voice, in this style: “Pretty cheap here this evening somehow, eh? What?” Somewhere in the back of Sir Joseph’s mind was the illusion that by barking in this way and standing treat profusely, lay the road to a girl’s young love. Somewhen perhaps—who knows?—he may have found justification for that belief. Joan had long since learnt how to turn a profile to these formal attentions, and appear to be interested without hearing or answering a word.
Or sometimes it would be Huntley. Huntley had lately taken to dodging among the night clubs to which he had access, when Joan was in London. Usually such nights ended in futility, but occasionally he was lucky and found Joan. Then he would come and talk and suggest ideas to her. He still remained the most interesting personality in her circle. She pretended to Winterbaum and herself to be bored by his pursuit, but indeed she looked for it. Except for Winterbaum and Huntley and Winterbaum’s transitory introductions, she remained a detached figure in these places. Sometimes quite good-looking strangers sat a little way off and sought to convey to her by suitable facial expression the growth of a passionate interest in her. She conveyed to them in return that they were totally invisible to her, resisting at times a macabre disposition to take sights at them suddenly and amazingly or put out her tongue. Sometimes women of the great Winterbaum circle would make a fuss of her. They called her a “dear child.” They would have been amazed at the complete theoretical knowledge a dear child of unrestricted reading could possess of them and their little ways.
“So this is the life of pleasure,” thought the dear child. “Well!”
And then that same question that Peter seemed always to be asking of Oswald: “Is this all?”