Joan and Peter varied with the seasons, but except when Joan wore a djibbah they were dressed almost alike; in high summer with bare legs and brown smocks and Heidelberg sandals, and in winter like rolls of green wool stuck on leather gaiters. When they grew beyond the smock stage, then they both wore art green blouses with the school emblem of St. George on the pockets, but Joan wore a dark blue gym skirt and Peter had dark blue knickerbockers simply. The walk altered a little every day. Now the trees were dark and the brambles by the roadside wet and wilted, now all the world was shooting green buds except for the pines, now the pines were taking up the spring brightness, now all the world was hot and dusty and full of the smell of resin, and now again it was wet and misty and with a thousand sorts of brightly coloured fungus among the pine stems. Joan and Peter learnt by experience that throwing pine-cones hurts, and reserved them for the Cuspard boy who had never mastered this lesson. Peter started a “Mooseum” of fungi in the playroom, and made a great display of specimens that presently dried up or deliquesced and stank. When the snow came in the winter the Cuspard boy waylaid them at the corner with a prepared heap of snowballs and fell upon them with shrieks of excitement, throwing so fast and wildly and playing the giddy windmill so completely that it was quite easy for Joan and Peter to close in and capture his heap. Whereupon he fled toward the school weeping loudly that it was his heap and refusing to be comforted.
But afterwards all three of them made common cause against a treacherous ambuscade behind the Sheldrick holly hedge.
It was on these journeyings that Joan began to hear first of the marvellous adventures of Uncle Nobby and Bungo Peter. She most liked Bungo Peter because he had such a satisfying name; Peter never told her he was really the newel knob at home, but she always understood him to be something very large and round and humorous and richly coloured. Sometimes he was as big as the world and sometimes he was a suitable playmate for little children. He was the one constant link in a wandering interminable Saga that came like a spider’s thread endlessly out of Peter’s busy brain. It was a story of quests and wanderings, experiments and tasks and feuds and wars; Nobby was almost always in it, kind and dreadfully brave and always having narrow escapes and being rescued by Bungo Peter. Daddy and Mummy came in and went out again, Peter and Joan joined in. For a time Bungo Peter had a Wonderful Cat that would have shamed Puss-in-boots. Sometimes the story would get funny, so funny that the two children would roll along the road, drunken with laughter. As for example when Bungo Peter had hiccups and couldn’t say anything else whatever you asked him.
After a time Joan learned the trick of the Saga and would go on with it in her own mind as a day-dream. She invented that really and truly Bungo Peter loved her desperately and that she loved Bungo Peter; but she knew, though she knew not why nor wherefore, that this was a thing Peter must never be told.
Sometimes she would try to cut in and make some of the saga herself. “Lemme tell you, Petah,” she used to squeal. “You just lemme tell you.” But it was a rare thing for Peter to give way to her; sometimes he would not listen at all to what she had to say about Bungo Peter; he would smite her down with “No, he didn’t do nuffin of the sort, not reely,” and sometimes when she had thought of a really good thing to tell about him, Peter would take it away from her and go on telling about it himself, as for instance when she thought of “Lightning-slick,” that Bungo Peter used to put on his heels.
Peter listened to her poor speeding-up with “Lightning-slick” for a while.
Then he said: “And after that, Joan, after that——”
“Oh! lemme go on, Petah. Do lemme go on. The fird time he was runned after by anyfing it was this.”
“He put it on his bicycle wheels,” said Peter, getting bored by her, “instead of oil.”
“He put it on his bicycle wheels instead of oil,” said Joan, accepting the idea, “and along came a Tiger.” (She had already done a Mad Dog and a Bear.)