He sighed profoundly, pushed the comic papers back—they were rent away from him instantly by the little man in spectacles—and tried the old engravings of Folkestone in the past, that hang about the room. But these, too, failed to minister to his bruised heart. He wandered about the corridors for a time and watched the library indicator for awhile. Wonderful thing that! But it did not hold him for long. People came and laughed near him and that jarred with him dreadfully. He went out of the building and a beastly cheerful barrel organ mocked him in the street. He was moved to a desperate resolve to go down to the beach. There it might be he would be alone. The sea might be rough—and attuned to him. It would certainly be dark.
"If I 'ad a penny I'm blest if I wouldn't go and chuck myself off the end of the pier.... She'd never miss me...." He followed a deepening vein of thought.
"Penny though! It's tuppence," he said after a space.
He went down Dover Street in a state of profound melancholia—at the pace and mood as it were of his own funeral procession—and he crossed at the corner of Tontine Street heedless of all mundane things. And there it was that Fortune came upon him, in disguise and with a loud shout, the shout of a person endowed with an unusually rich, full voice, followed immediately by a violent blow in the back.
His hat was over his eyes and an enormous weight rested on his shoulders and something kicked him in the back of his calf.
Then he was on all fours in some mud that Fortune, in conjunction with the Folkestone corporation and in the pursuit of equally mysterious ends, had heaped together even lavishly for his reception.
He remained in that position for some seconds awaiting further developments and believing almost anything broken before his heart. Gathering at last that this temporary violence of things in general was over, and being perhaps assisted by a clutching hand, he arose, and found himself confronting a figure holding a bicycle and thrusting forward a dark face in anxious scrutiny.
"You aren't hurt, Matey?" gasped the figure.
"Was that you 'it me?" said Kipps.
"It's these handles, you know," said the figure with an air of being a fellow sufferer. "They're too low. And when I go to turn, if I don't remember, Bif!—and I'm in to something."