Is the whole scheme of nature evil? Is life in its essence cruel? Is man stretched quivering upon the table of the eternal vivisector for no end—and without pity?
These were thoughts that Mr. Britling had never faced before the war. They came to him now, and they came only to be rejected by the inherent quality of his mind. For weeks, consciously and subconsciously, his mind had been grappling with this riddle. He had thought of it during his lonely prowlings as a special constable; it had flung itself in monstrous symbols across the dark canvas of his dreams. "Is there indeed a devil of pure cruelty? Does any creature, even the very cruellest of creatures, really apprehend the pain it causes, or inflict it for the sake of the infliction?" He summoned a score of memories, a score of imaginations, to bear their witness before the tribunal of his mind. He forgot cold and loneliness in this speculation. He sat, trying all Being, on this score, under the cold indifferent stars.
He thought of certain instances of boyish cruelty that had horrified him in his own boyhood, and it was clear to him that indeed it was not cruelty, it was curiosity, dense textured, thick skinned, so that it could not feel even the anguish of a blinded cat. Those boys who had wrung his childish soul to nigh intolerable misery, had not indeed been tormenting so much as observing torment, testing life as wantonly as one breaks thin ice in the early days of winter. In very much cruelty the real motive is surely no worse than that obtuse curiosity; a mere step of understanding, a mere quickening of the nerves and mind, makes it impossible. But that is not true of all or most cruelty. Most cruelty has something else in it, something more than the clumsy plunging into experience of the hobbledehoy; it is vindictive or indignant; it is never tranquil and sensuous; it draws its incentive, however crippled and monstrous the justification may be, from something punitive in man's instinct, something therefore that implies a sense, however misguided, of righteousness and vindication. That factor is present even in spite; when some vile or atrocious thing is done out of envy or malice, that envy and malice has in it always—always? Yes, always—a genuine condemnation of the hated thing as an unrighteous thing, as an unjust usurpation, as an inexcusable privilege, as a sinful overconfidence. Those men in the airship?—he was coming to that. He found himself asking himself whether it was possible for a human being to do any cruel act without an excuse—or, at least, without the feeling of excusability. And in the case of these Germans and the outrages they had committed and the retaliations they had provoked, he perceived that always there was the element of a perceptible if inadequate justification. Just as there would be if presently he were to maltreat a fallen German airman. There was anger in their vileness. These Germans were an unsubtle people, a people in the worst and best sense of the words, plain and honest; they were prone to moral indignation; and moral indignation is the mother of most of the cruelty in the world. They perceived the indolence of the English and Russians, they perceived their disregard of science and system, they could not perceive the longer reach of these greater races, and it seemed to them that the mission of Germany was to chastise and correct this laxity. Surely, they had argued, God was not on the side of those who kept an untilled field. So they had butchered these old ladies and slaughtered these children just to show us the consequences:
"All along of dirtiness, all along of mess,
All along of doing things rather more or less."
The very justification our English poet has found for a thousand overbearing actions in the East! "Forget not order and the real," that was the underlying message of bomb and gas and submarine. After all, what right had we English not to have a gun or an aeroplane fit to bring down that Zeppelin ignominiously and conclusively? Had we not undertaken Empire? Were we not the leaders of great nations? Had we indeed much right to complain if our imperial pose was flouted? "There, at least," said Mr. Britling's reason, "is one of the lines of thought that brought that unseen cruelty out of the night high over the houses of Filmington-on-Sea. That, in a sense, is the cause of this killing. Cruel it is and abominable, yes, but is it altogether cruel? Hasn't it, after all, a sort of stupid rightness?—isn't it a stupid reaction to an indolence at least equally stupid?"
What was this rightness that lurked below cruelty? What was the inspiration of this pressure of spite, this anger that was aroused by ineffective gentleness and kindliness? Was it indeed an altogether evil thing; was it not rather an impulse, blind as yet, but in its ultimate quality as good as mercy, greater perhaps in its ultimate values than mercy?
This idea had been gathering in Mr. Britling's mind for many weeks; it had been growing and taking shape as he wrote, making experimental beginnings for his essay, "The Anatomy of Hate." Is there not, he now asked himself plainly, a creative and corrective impulse behind all hate? Is not this malignity indeed only the ape-like precursor of the great disciplines of a creative state?
The invincible hopefulness of his sanguine temperament had now got Mr. Britling well out of the pessimistic pit again. Already he had been on the verge of his phrase while wandering across the rushy fields towards Market Saffron; now it came to him again like a legitimate monarch returning from exile.
"When hate shall have become creative energy....