Mr. Britling expressed no satisfaction.
"Every one is going through something of this sort."
"All the decent people, at any rate," said Mr. Britling....
"It will be an extraordinary experience. Somehow it seems out of proportion—"
"With what?"
"With life generally. As one has known it."
"It isn't in proportion," Mr. Britling admitted.
"Incommensurables," said Hugh.
He considered his phrasing. "It's not," he said, "as though one was going into another part of the same world, or turning up another side of the world one was used to. It is just as if one had been living in a room and one had been asked to step outside.... It makes me think of a queer little thing that happened when I was in London last winter. I got into Queer Company. I don't think I told you. I went to have supper with some students in Chelsea. I hadn't been to the place before, but they seemed all right—just people like me—and everybody. And after supper they took me on to some people they didn't know very well; people who had to do with some School of Dramatic Art. There were two or three young actresses there and a singer and people of that sort, sitting about smoking cigarettes, and we began talking plays and books and picture shows and all that stuff; and suddenly there was a knocking at the door and some one went out and found a policeman with a warrant on the landing. They took off our host's son.... It had to do with a murder...."
Hugh paused. "It was the Bedford Mansions mystery. I don't suppose you remember about it or read about it at the time. He'd killed a man.... It doesn't matter about the particulars anyhow, but what I mean is the effect. The effect of a comfortable well-lit orderly room and the sense of harmless people—and then the door opening and the policeman and the cold draught flowing in. Murder! A girl who seemed to know the people well explained to me in whispers what was happening. It was like the opening of a trap-door going down into some pit you have always known was there, but never really believed in."