Mr. Britling Sees It Through

by H. G. Wells

For some days Mr. Britling could think of nothing but Hugh, and always with a dull pain at his heart. He felt as he had felt long ago while he had waited downstairs and Hugh upstairs had been under the knife of a surgeon. But this time the operation went on and still went on. At the worst his boy had but one chance in five of death or serious injury, but for a time he could think of nothing but that one chance. He felt it pressing upon his mind, pressing him down....

Then instead of breaking under that pressure, he was released by the trick of the sanguine temperament. His mind turned over, abruptly, to the four chances out of five. It was like a dislocated joint slipping back into place. It was as sudden as that. He found he had adapted himself to the prospect of Hugh in mortal danger. It had become a fact established, a usual thing. He could bear with it and go about his affairs.

He went up to London, and met other men at the club in the same emotional predicament. He realised that it was neither very wonderful nor exceptionally tragic now to have a son at the front.

"My boy is in Gallipoli," said one. "It's tough work there."

"My lad's in Flanders," said Mr. Britling. "Nothing would satisfy him but the front. He's three months short of eighteen. He misstated his age."

And they went on to talk newspaper just as if the world was where it had always been.

But until a post card came from Hugh Mr. Britling watched the postman like a lovesick girl.

Hugh wrote more frequently than his father had dared to hope, pencilled letters for the most part. It was as if he was beginning to feel an inherited need for talk, and was a little at a loss for a sympathetic ear. Park, his schoolmate, who had enlisted with him, wasn't, it seemed, a theoriser. "Park becomes a martinet," Hugh wrote. "Also he is a sergeant now, and this makes rather a gulf between us." Mr. Britling had the greatest difficulty in writing back. There were many grave deep things he wanted to say, and never did. Instead he gave elaborate details of the small affairs of the Dower House. Once or twice, with a half-unconscious imitation of his boy's style, he took a shot at the theological and philosophical hares that Hugh had started. But the exemplary letters that he composed of nights from a Father to a Son at War were never written down. It was just as well, for there are many things of that sort that are good to think and bad to say....

Hugh was not very explicit about his position or daily duties. What he wrote now had to pass through the hands of a Censor, and any sort of definite information might cause the suppression of his letter. Mr. Britling conceived him for the most part as quartered some way behind the front, but in a flat, desolated country and within hearing of great guns. He assisted his imagination with the illustrated papers. Sometimes he put him farther back into pleasant old towns after the fashion of Beauvais, and imagined loitering groups in the front of cafés; sometimes he filled in the obvious suggestions of the phrase that all the Pas de Calais was now one vast British camp. Then he crowded the picture with tethered horses and tents and grey-painted wagons, and Hugh in the foreground—-bare-armed, with a bucket....

Hugh's letters divided themselves pretty fairly between two main topics; the first was the interest of the art of war, the second the reaction against warfare. "After one has got over the emotion of it," he wrote, "and when one's mind has just accepted and forgotten (as it does) the horrors and waste of it all, then I begin to perceive that war is absolutely the best game in the world. That is the real strength of war, I submit. Not as you put it in that early pamphlet of yours; ambition, cruelty, and all those things. Those things give an excuse for war, they rush timid and base people into war, but the essential matter is the hold of the thing itself upon an active imagination. It's such a big game. Instead of being fenced into a field and tied down to one set of tools as you are in almost every other game, you have all the world to play and you may use whatever you can use. You can use every scrap of imagination and invention that is in you. And it's wonderful.... But real soldiers aren't cruel. And war isn't cruel in its essence. Only in its consequences. Over here one gets hold of scraps of talk that light up things. Most of the barbarities were done—it is quite clear—by an excited civilian sort of men, men in a kind of inflamed state. The great part of the German army in the early stage of the war was really an army of demented civilians. Trained civilians no doubt, but civilians in soul. They were nice orderly clean law-abiding men suddenly torn up by the roots and flung into quite shocking conditions. They felt they were rushing at death, and that decency was at an end. They thought every Belgian had a gun behind the hedge and a knife in his trouser leg. They saw villages burning and dead people, and men smashed to bits. They lived in a kind of nightmare. They didn't know what they were doing. They did horrible things just as one does them sometimes in dreams...."