Mr. Britling Sees It Through

by H. G. Wells

After this much of explanation it is possible to go on to the task which originally brought Mr. Direck to Matching's Easy, the task that Massachusetts society had sent him upon, the task of organising the mental unveiling of Mr. Britling. Mr. Direck saw Mr. Britling only in the daylight, and with an increasing distraction of the attention towards Miss Cecily Corner. We may see him rather more clearly in the darkness, without any distraction except his own.

Now the smashing of Gladys was not only the source of a series of reproaches and remorses directly arising out of the smash; it had also a wide system of collateral consequences, which were also banging and blundering their way through the Britling mind. It was extraordinarily inconvenient in quite another direction that the automobile should be destroyed. It upset certain plans of Mr. Britling's in a direction growing right out from all the Dower House world in which Mr. Direck supposed him to be completely set and rooted. There were certain matters from which Mr. Britling had been averting his mind most strenuously throughout the week-end. Now, there was no averting his mind any more.

Mr. Britling was entangled in a love affair. It was, to be exact, and disregarding minor affinities, his eighth love affair. And the new automobile, so soon as he could drive it efficiently, was to have played quite a solvent and conclusive part in certain entangled complications of this relationship.

A man of lively imagination and quick impulses naturally has love affairs as he drives himself through life, just as he naturally has accidents if he drives an automobile.

And the peculiar relations that existed between Mr. Britling and Mrs. Britling tended inevitably to make these love affairs troublesome, undignified and futile. Especially when they were viewed from the point of view of insomnia.

Mr. Britling's first marriage had been a passionately happy one. His second was by comparison a marriage in neutral tint. There is much to be said for that extreme Catholic theory which would make marriage not merely lifelong but eternal. Certainly Mr. Britling would have been a finer if not a happier creature if his sentimental existence could have died with his first wife or continued only in his love for their son. He had married in the glow of youth, he had had two years of clean and simple loving, helping, quarrelling and the happy ending of quarrels. Something went out of him into all that, which could not be renewed again. In his first extremity of grief he knew that perfectly well—and then afterwards he forgot it. While there is life there is imagination, which makes and forgets and goes on.

He met Edith under circumstances that did not in any way recall his lost Mary. He met her, as people say, "socially"; Mary, on the other hand, had been a girl at Newnham while he was a fellow of Pembroke, and there had been something of accident and something of furtiveness in their lucky discovery of each other. There had been a flush in it; there was dash in it. But Edith he saw and chose and had to woo. There was no rushing together; there was solicitation and assent. Edith was a Bachelor of Science of London University and several things like that, and she looked upon the universe under her broad forehead and broad-waving brown hair with quiet watchful eyes that had nothing whatever to hide, a thing so incredible to Mr. Britling that he had loved and married her very largely for the serenity of her mystery. And for a time after their marriage he sailed over those brown depths plumbing furiously.

Of course he did not make his former passion for Mary at all clear to her. Indeed, while he was winning Edith it was by no means clear to himself. He was making a new emotional drama, and consciously and subconsciously he dismissed a hundred reminiscences that sought to invade the new experience, and which would have been out of key with it. And without any deliberate intention to that effect he created an atmosphere between himself and Edith in which any discussion of Mary was reduced to a minimum, and in which Hugh was accepted rather than explained. He contrived to believe that she understood all sorts of unsayable things; he invented miracles of quite uncongenial mute mutuality....

It was over the chess-board that they first began to discover their extensive difficulties of sympathy. Mr. Britling's play was characterised by a superficial brilliance, much generosity and extreme unsoundness; he always moved directly his opponent had done so—and then reflected on the situation. His reflection was commonly much wiser than his moves. Mrs. Britling was, as it were, a natural antagonist to her husband; she was as calm as he was irritable. She was never in a hurry to move, and never disposed to make a concession. Quietly, steadfastly, by caution and deliberation, without splendour, without error, she had beaten him at chess until it led to such dreadful fits of anger that he had to renounce the game altogether. After every such occasion he would be at great pains to explain that he had merely been angry with himself. Nevertheless he felt, and would not let himself think (while she concluded from incidental heated phrases), that that was not the complete truth about the outbreak.