On these black nights, when the personal Mr. Britling would lie awake thinking how unsatisfactorily Mr. Britling was going on, and when the impersonal Mr. Britling would be thinking how unsatisfactorily his universe was going on, the whole mental process had a likeness to some complex piece of orchestral music wherein the organ deplored the melancholy destinies of the race while the piccolo lamented the secret trouble of Mrs. Harrowdean; the big drum thundered at the Irish politicians, and all the violins bewailed the intellectual laxity of the university system. Meanwhile the trumpets prophesied wars and disasters, the cymbals ever and again inserted a clashing jar about the fatal delay in the automobile insurance, while the triangle broke into a plangent solo on the topic of a certain rotten gate-post he always forgot in the daytime, and how in consequence the cows from the glebe farm got into the garden and ate Mrs. Britling's carnations.

Time after time he had promised to see to that gatepost....

The organ motif battled its way to complete predominance. The lesser themes were drowned or absorbed. Mr. Britling returned from the rôle of an incompetent automobilist to the rôle of a soul naked in space and time wrestling with giant questions. These cosmic solicitudes, it may be, are the last penalty of irreligion. Was Huxley right, and was all humanity, even as Mr. Britling, a careless, fitful thing, playing a tragically hopeless game, thinking too slightly, moving too quickly, against a relentless antagonist?

Or is the whole thing just witless, accidentally cruel perhaps, but not malignant? Or is it wise, and merely refusing to pamper us? Is there somewhere in the immensities some responsive kindliness, some faint hope of toleration and assistance, something sensibly on our side against death and mechanical cruelty? If so, it certainly refuses to pamper us.... But if the whole thing is cruel, perhaps also it is witless and will-less? One cannot imagine the ruler of everything a devil—that would be silly. So if at the worst it is inanimate then anyhow we have our poor wills and our poor wits to pit against it. And manifestly then, the good of life, the significance of any life that is not mere receptivity, lies in the disciplined and clarified will and the sharpened and tempered mind. And what for the last twenty years—for all his lectures and writings—had he been doing to marshal the will and harden the mind which were his weapons against the Dark? He was ready enough to blame others—dons, politicians, public apathy, but what was he himself doing?

What was he doing now?

Lying in bed!

His son was drifting to ruin, his country was going to the devil, the house was a hospital of people wounded by his carelessness, the country roads choked with his smashed (and uninsured) automobiles, the cows were probably lined up along the borders and munching Edith's carnations at this very moment, his pocketbook and bureau were stuffed with venomous insults about her—and he was just lying in bed!

Suddenly Mr. Britling threw back his bedclothes and felt for the matches on his bedside table.

Indeed this was by no means the first time that his brain had become a whirring torment in his skull. Previous experiences had led to the most careful provision for exactly such states. Over the end of the bed hung a light, warm pyjama suit of llama-wool, and at the feet of it were two tall boots of the same material that buckled to the middle of his calf. So protected, Mr. Britling proceeded to make himself tea. A Primus stove stood ready inside the fender of his fireplace, and on it was a brightly polished brass kettle filled with water; a little table carried a tea-caddy, a tea-pot, a lemon and a glass. Mr. Britling lit the stove and then strolled to his desk. He was going to write certain "Plain Words about Ireland." He lit his study lamp and meditated beside it until a sound of water boiling called him to his tea-making.

He returned to his desk stirring the lemon in his glass of tea. He would write the plain common sense of this Irish situation. He would put things so plainly that this squabbling folly would have to cease. It should be done austerely, with a sort of ironical directness. There should be no abuse, no bitterness, only a deep passion of sanity.