Russia in the Shadows

by H. G. Wells

Art, literature, science, all the refinements and elaboration of life, all that we mean by “civilisation,” were involved in this torrential catastrophe. For a time the stablest thing in Russia culture was the theatre. There stood the theatres, and nobody wanted to loot them or destroy them; the artists were accustomed to meet and work in them and went on meeting and working; the tradition of official subsidies held good. So quite amazingly the Russian dramatic and operatic life kept on through the extremest storms of violence, and keeps on to this day. In Petersburg we found there were more than forty shows going on every night; in Moscow we found very much the same state of affairs. We heard Shalyapin, greatest of actors and singers, in The Barber of Seville and in Chovanchina; the admirable orchestra was variously attired, but the conductor still held out valiantly in swallow tails and a white tie; we saw a performance of Sadko, we saw Monachof in The Tzarevitch Alexei and as Iago in Othello (with Madame Gorky—Madame Andreievna—as Desdemona). When one faced the stage, it was as if nothing had changed in Russia; but when the curtain fell and one turned to the audience one realised the revolution. There were now no brilliant uniforms, no evening dress in boxes and stalls. The audience was a uniform mass of people, the same sort of people everywhere, attentive, good-humoured, well-behaved and shabby. Like the London Stage Society, one’s place in the house is determined by ballot. And for the most part there is no paying to go to the theatre. For one performance the tickets go, let us say, to the professional unions, for another to the Red Army and their families, for another to the school children, and so on. A certain selling of tickets goes on, but it is not in the present scheme of things.

I had heard Shalyapin in London, but I had not met him personally there. We made his acquaintance this time in Petersburg, we dined with him and saw something of his very jolly household. There are two stepchildren almost grown up, and two little daughters, who speak a nice, stiff, correct English, and the youngest of whom dances delightfully. Shalyapin is certainly one of the most wonderful things in Russia at the present time. He is the Artist, defiant and magnificent. Off the stage he has much the same vitality and abounding humour that made an encounter with Beerbohm Tree so delightful an experience. He refuses absolutely to sing except for pay—200,000 roubles a performance, they say, which is nearly £15—and when the markets get too tight, he insists upon payment in flour or eggs or the like. What he demands he gets, for Shalyapin on strike would leave too dismal a hole altogether in the theatrical world of Petersburg. So it is that he maintains what is perhaps the last fairly comfortable home in Russia. And Madame Shalyapin we found so unbroken by the revolution that she asked us what people were wearing in London. The last fashion papers she had seen—thanks to the blockade—dated from somewhen early in 1918.

But the position of the theatre among the arts is peculiar. For the rest of the arts, for literature generally and for the scientific worker, the catastrophe of 1917–18 was overwhelming. There remained no one to buy books or pictures, and the scientific worker found himself with a salary of roubles that dwindled rapidly to less than the five-hundredth part of their original value. The new crude social organisation, fighting robbery, murder, and the wildest disorder, had no place for them; it had forgotten them. For the scientific man at first the Soviet Government had as little regard as the first French revolution, which had “no need for chemists.” These classes of worker, vitally important to every civilised system, were reduced, therefore, to a state of the utmost privation and misery. It was to their assistance and salvation that Gorky’s first efforts were directed. Thanks very largely to him and to the more creative intelligences in the Bolshevik Government, there has now been organised a group of salvage establishments, of which the best and most fully developed is the House of Science in Petersburg, in the ancient palace of the Archduchess Marie Pavlova. Here we saw the headquarters of a special rationing system which provides as well as it can for the needs of four thousand scientific workers and their dependents—in all perhaps for ten thousand people. At this centre they not only draw their food rations, but they can get baths and barber, tailoring, cobbling and the like conveniences. There is even a small stock of boots and clothing. There are bedrooms, and a sort of hospital accommodation for cases of weakness and ill-health.

It was to me one of the strangest of my Russian experiences to go to this institution and to meet there, as careworn and unprosperous-looking figures, some of the great survivors of the Russian scientific world. Here were such men as Oldenburg the orientalist, Karpinsky the geologist, Pavloff the Nobel prizeman, Radloff, Bielopolsky, and the like, names of world-wide celebrity. They asked me a multitude of questions about recent scientific progress in the world outside Russia, and made me ashamed of my frightful ignorance of such matters. If I had known that this would happen I would have taken some sort of report with me. Our blockade has cut them off from all scientific literature outside Russia. They are without new instruments, they are short of paper, the work they do has to go on in unwarmed laboratories. It is amazing they do any work at all. Yet they are getting work done; Pavloff is carrying on research of astonishing scope and ingenuity upon the mentality of animals; Manuchin claims to have worked out an effectual cure for tuberculosis, even in advanced cases; and so on. I have brought back abstracts of Manuchin’s work for translation and publication here, and they are now being put into English. The scientific spirit is a wonderful spirit. If Petersburg starves this winter, the House of Science—unless we make some special effort on its behalf—will starve too, but these scientific men said very little to me about the possibility of sending them in supplies. The House of Literature and Art talked a little of want and miseries, but not the scientific men. What they were all keen about was the possibility of getting scientific publications; they value knowledge more than bread. Upon that matter I hope I may be of some help to them. I got them to form a committee to make me out a list of all the books and publications of which they stood in need, and I have brought this list back to the Secretary of the Royal Society of London, which had already been stirring in this matter. Funds will be needed, three or four thousand pounds perhaps (the address of the Secretary of the Royal Society is Burlington House, W.), but the assent of the Bolshevik Government and our own to this mental provisioning of Russia has been secured, and in a little time I hope the first parcel of books will be going through to these men, who have been cut off for so long from the general mental life of the world.

If I had no other reason for satisfaction about this trip to Russia, I should find quite enough in the hope and comfort our mere presence evidently gave to many of these distinguished men in the House of Science and in the House of Literature and Art. Upon many of them there had evidently settled a kind of despair of ever seeing or hearing anything of the outer world again. They had been living for three years, very grey and long years indeed, in a world that seemed sinking down steadily through one degree of privation after another into utter darkness. Possibly they had seen something of one or two of the political deputations that have visited Russia—I do not know; but manifestly they had never expected to see again a free and independent individual walk in, with an air of having come quite easily and unofficially from London, and of its being quite possible not only to come but to go again into the lost world of the West. It was like an unexpected afternoon caller strolling into a cell in a jail.

All musical people in England know the work of Glazounov; he has conducted concerts in London and is an honorary doctor both of Oxford and Cambridge. I was very deeply touched by my meeting with him. He used to be a very big florid man, but now he is pallid and very much fallen away, so that his clothes hang loosely on him. He came and talked of his friends Sir Hubert Parry and Sir Charles Villiers Stanford. He told me he still composed, but that his stock of music paper was almost exhausted. “Then there will be no more.” I said there would be much more, and that soon. He doubted it. He spoke of London and Oxford; I could see that he was consumed by an almost intolerable longing for some great city full of life, a city with abundance, with pleasant crowds, a city that would give him still audiences in warm, brightly-lit places. While I was there, I was a sort of living token to him that such things could still be. He turned his back on the window which gave on the cold grey Neva, deserted in the twilight, and the low lines of the fortress prison of St. Peter and St. Paul. “In England there will be no revolution—no? I had many friends in England—many good friends in England....” I was loth to leave him, and he was very loth to let me go.

Seeing all these distinguished men living a sort of refugee life amidst the impoverished ruins of the fallen imperialist system has made me realise how helplessly dependent the man of exceptional gifts is upon a securely organised civilisation. The ordinary man can turn from this to that occupation; he can be a sailor or a worker in a factory or a digger or what not. He is under a general necessity to work, but he has no internal demon which compels him to do a particular thing and nothing else, which compels him to be a particular thing or die. But a Shalyapin must be Shalyapin or nothing, Pavloff is Pavloff and Glazounov is Glazounov. So long as they can go on doing their particular thing, such men will live and flourish. Shalyapin still acts and sings magnificently—in absolute defiance of every Communist principle; Pavloff still continues his marvellous researches—in an old coat and with his study piled up with the potatoes and carrots he grows in his spare time; Glazounov will compose until the paper runs out. But many of the others are evidently stricken much harder. The mortality among the intellectually distinguished men of Russia has been terribly high. Much, no doubt, has been due to the general hardship of life, but in many cases I believe that the sheer mortification of great gifts become futile has been the determining cause. They could no more live in the Russia of 1919 than they could have lived in a Kaffir kraal.

GORKY IN THE GREAT DUMP OF ART AND VIRTUOSITY IN PETERSBURG

Science, art, and literature are hothouse plants demanding warmth and respect and service. It is the paradox of science that it alters the whole world and is produced by the genius of men who need protection and help more than any other class of worker. The collapse of the Russian imperial system has smashed up all the shelters in which such things could exist. The crude Marxist philosophy which divides all men into bourgeoisie and proletariat, which sees all social life as a stupidly simple “class war,” had no knowledge of the conditions necessary for the collective mental life. But it is to the credit of the Bolshevik Government that it has now risen to the danger of a universal intellectual destruction in Russia, and that, in spite of the blockade and the unending struggle against the subsidised revolts and invasions with which we and the French plague Russia, it is now permitting and helping these salvage organisations. Parallel with the House of Science is the House of Literature and Art. The writing of new books, except for some poetry, and the painting of pictures have ceased in Russia. But the bulk of the writers and artists have been found employment upon a grandiose scheme for the publication of a sort of Russian encyclopædia of the literature of the world. In this strange Russia of conflict, cold, famine and pitiful privations there is actually going on now a literary task that would be inconceivable in the rich England and the rich America of to-day. In England and America the production of good literature at popular prices has practically ceased now—“because of the price of paper.” The mental food of the English and American masses dwindles and deteriorates, and nobody in authority cares a rap. The Bolshevik Government is at least a shade above that level. In starving Russia hundreds of people are working upon translations, and the books they translate are being set up and printed, work which may presently give a new Russia such a knowledge of world thought as no other people will possess. I have seen some of the books and the work going on. “May” I write, with no certainty. Because, like everything else in this ruined country, this creative work is essentially improvised and fragmentary. How this world literature is to be distributed to the Russian people I do not know. The bookshops are closed and bookselling, like every other form of trading, is illegal. Probably the books will be distributed to schools and other institutions.