"I want to," said my uncle. "But why do you try and hide your taste under these mere formalities in frames? Why do you always say 'I pass' in the game of decoration? Better a mess of green amateurs and love therewith, than the richest autotypes and dull complacency. Have what you like. There is no such thing as absolute beauty. That is the Magna Charta of the world of art. What is beautiful to me is not beautiful to another man, in art as in women. But take care to get the art that fits you. Frankly, that 'Love and Death' suits you, Bagshot, about as much as a purple toga would. Orchardson is in your style. I tell you that the greengrocer who buys an original oil painting for sixteen shillings with frame complete is far nearer artistic salvation than the patron of the popular autotype. Surely you will wake up presently, Bagshot, and wonder what you have been about.

"Half-past four, by Jove! I must be getting on. Well, Bagshot, ta-ta. One must talk, you know. I really hope you will be comfortable in your new rooms."

And so good-bye to Bagshot, staring in a puzzled way at his reviled and desecrated walls.

ON SOCIAL MUSIC

My poor uncle came to me the other evening in a most distressful state, broken down to common blasphemy. His ample front was rumpled with sorrow and his tie disorderly aslant. His hair had gone rough with his troubles. "The time I have had, George!" he panted. "Give me something to drink in the name of Holy Charity."

Since the Pall Mall Gazette took to reporting his little sayings about photographs and ornaments, ideals and fashions, he has been setting up as a conversationalist. He thinks he was designed by Providence to that end, and aids his destiny as much as he can by elaborately preparing remarks.

Yet this thing had happened. "They put," said my uncle, "a little chap at the piano, and me at a very nice girl indeed as she looked; and the little chap began, and so did I. I said a prelude thing of mine, brand new and rather pretty."

He stopped. He turned to nerve himself with whisky.

"Well," I said, when the pause seemed sufficient; "what did she say?"