"And then suddenly through the ceiling into our subterranean tea-party came a rush of Clavier notes—I can't describe it.

"One of the few really good things of that age was the music. Mankind perfected some things very early; I suppose precious-stone work and gold work have never got very much beyond the levels it reached under the Seventeenth Dynasty in Egypt, ages ago, and marble statuary came to a climax at Athens before the conquests of Alexander. I doubt if there has ever come very much sweeter music into the world than the tuneful stuff we had away back there in the Age of Confusion. This music Mr. Plaice was giving us was some bits of Schumann's Carnaval music; we hear it still played on the Clavier; and it was almost the first good music I ever heard. There had been brass bands on Cliffstone promenade, of course, but they simply made a glad row. I don't know if you understand what a pianola was. It was an instrument for playing the Clavier with hammers directed by means of perforated rolls, for the use of those who lacked the intelligence and dexterity to read music and play the Clavier with their hands. Because everyone was frightfully unhandy in those days. It thumped a little and struck undiscriminating chords, but Mr. Plaice managed it fairly well and the result came, filtered through the ceiling—— As we used to say in those days, it might have been worse.

"At the thoughts of that music I recall—and whenever I hear Schumann as long as I live I shall recall—the picture of that underground room, the little fire-place with the kettle on a hob, the kettle-holder and the toasting fork beside the fire-place jamb, the steel fender, the ashes, the small blotched looking-glass over the mantel, the little china figures of dogs in front of the glass, the gaslight in a frosted glass globe hanging from the ceiling and lighting the tea-things on the table. (Yes, the house was lit by coal-gas; electric light was only just coming in.... My dear Firefly! can I possibly stop my story to tell you what coal-gas was? A good girl would have learnt that long ago.)

"There sat Matilda Good reduced to a sort of imbecile ecstasy by these butterflies of melody. She nodded her cap, she rolled her head and smiled; she made appreciative rhythmic gestures with her hands; one eye would meet you in a joyous search for sympathy while the other contemplated the dingy wall-paper beyond. I too was deeply stirred. But my mother and sister Prue sat in their black with an expression of forced devotion, looking very refined and correct, exactly as they had sat and listened to my father's funeral service five days before.

"'Sputiful,' whispered my mother, like making a response in church, when the first piece came to an end....

"I went to sleep that night in my little attic with fragments of Schumann, Bach and Beethoven chasing elusively about my brain. I perceived that a new phase of life had come to me....

"Jewels," said Sarnac. "Some sculpture, music—just a few lovely beginnings there were already of what man could do with life. Such things I see now were the seeds of the new world of promise already there in the dark matrix of the old."

§ 6

"Next morning revealed a new Mathilda Good, active and urgent, in a loose and rather unclean mauve cotton wrapper and her head wrapped up in a sort of turban of figured silk. This costume she wore most of the day except that she did her hair and put on a cotton lace cap in the afternoon. (The black dress and the real lace cap and the brooch, I was to learn, were for Sundays and for week-day evenings of distinction.) My mother and Prue were arrayed in rough aprons which Matilda had very thoughtfully bought for them. There was a great bustle in the basement of the house, and Prue a little before eight went up with Matilda to learn how to set out breakfast for Mr. Plaice. I made his acquaintance later in the day when I took up the late edition of the Evening Standard to him. I found him a stooping, tall gentleman with a cadaverous face that was mostly profile, and he made great play with my Christian name.

"'Mortimer,' he said and neighed his neigh. 'Well—it might have been Norfolk-Howard.'