"My first employment in London was as an errand-boy—'junior porter' was the exact phrase—to a draper's shop near Victoria Station: I packed parcels and carried them to their destinations; my next job was to be boy in general to a chemist named Humberg in a shop beyond Lupus Street. A chemist then was a very different creature from the kind of man or woman we call a chemist to-day; he was much more like the Apothecary we find in Shakespeare's plays and such-like old literature; he was a dealer in drugs, poisons, medicines, a few spices, colouring matters and such-like odd commodities. I washed endless bottles, delivered drugs and medicines, cleared up a sort of backyard, and did anything else that there was to be done within the measure of my capacity.

"Of all the queer shops one found in that old-world London, the chemists' shops were, I think, the queerest. They had come almost unchanged out of the Middle Ages, as we used to call them, when Western Europe, superstitious, dirty, diseased and degenerate, thrashed by the Arabs and Mongols and Turks, afraid to sail the ocean or fight out of armour, cowered behind the walls of its towns and castles, stole, poisoned, assassinated and tortured, and pretended to be the Roman Empire still in being. Western Europe in those days was ashamed of its natural varieties of speech and talked bad Latin; it dared not look a fact in the face but nosed for knowledge among riddles and unreadable parchments; it burnt men and women alive for laughing at the absurdities of its Faith, and it thought the stars of Heaven were no better than a greasy pack of cards by which fortunes were to be told. In those days it was that the tradition of the 'Pothecary was made; you know him as he figures in Romeo and Juliet; the time in which I lived this life was barely four centuries and a half from old Shakespeare. The 'Pothecary was in a conspiracy of pretentiousness with the almost equally ignorant doctors of his age, and the latter wrote and he 'made up' prescriptions in occult phrases and symbols. In our window there were great glass bottles of red- and yellow- and blue-tinted water, through which our gas-lamps within threw a mystical light on the street pavement."

"Was there a stuffed alligator?" asked Firefly.

"No. We were just out of the age of stuffed alligators, but below these coloured bottles in the window we had stupendous china jars with gilt caps mystically inscribed—let me see! Let me think! One was Sem. Coriand. Another was Rad. Sarsap. Then—what was the fellow in the corner? Marant. Ar. And opposite him—C. Cincordif. And behind the counter to look the customer in the face were neat little drawers with golden and precious letters thereon; Pil. Rhubarb, and Pil. Antibil. and many more bottles, Ol. Amyg. and Tinct. Iod., rows and rows of bottles, mystic, wonderful. I do not remember ever seeing Mr. Humberg take anything, much less sell anything, from all this array of erudite bottles and drawers; his normal trade was done in the bright little packets of an altogether different character that were piled all over the counter, bright unblushing little packets that declared themselves to be Gummidge's Fragrant and Digestive Tooth Paste, Hooper's Corn Cure, Luxtone's Lady's Remedy, Tinker's Pills for All Occasions, and the like. Such things were asked for openly and loudly by customers; they were our staple trade. But also there were many transactions conducted in undertones which I never fully understood. I would be sent off to the yard on some specious pretext whenever a customer was discovered to be of the sotto voce variety, and I can only suppose that Mr. Humberg was accustomed at times to go beyond the limits of his professional qualification and to deal out advice and instruction that were legally the privileges of the qualified medical man. You must remember that in those days many things that we teach plainly and simply to every one were tabooed and made to seem occult and mysterious and very, very shameful and dirty.

"My first reaction to this chemist's shop was a violent appetite for Latin. I succumbed to its suggestion that Latin was the key to all knowledge, and that indeed statements did not become knowledge until they had passed into the Latin tongue. For a few coppers I bought in a second-hand bookshop an old and worn Latin Principia written by a namesake Smith; I attacked it with great determination and found this redoubtable language far more understandable, reasonable and straight-forward than the elusive irritable French and the trampling coughing German I had hitherto attempted. This Latin was a dead language, a skeleton language plainly articulated; it never moved about and got away from one as a living language did. In a little while I was able to recognize words I knew upon our bottles and drawers and in the epitaphs upon the monuments in Westminster Abbey, and soon I could even construe whole phrases. I dug out Latin books from the second-hand booksellers' boxes, and some I could read and some I could not. There was a war history of that first Cæsar, Julius Cæsar, the adventurer who extinguished the last reek of the decaying Roman republic, and there was a Latin New Testament; I got along fairly well with both. But there was a Latin poet, Lucretius, I could not construe; even with an English verse translation on the opposite page I could not construe him. But I read that English version with intense curiosity. It is an extraordinary thing to note, but that same Lucretius, an old Roman poet who lived and died two thousand years before my time, four thousand years from now, gave an account of the universe and of man's beginnings far truer and more intelligible than the old Semitic legends I had been taught in my Sunday school.

"One of the queerest aspects of those days was the mingling of ideas belonging to different ages and phases of human development due to the irregularity and casualness of such educational organisation as we had. In school and church alike, obstinate pedantry darkened the minds of men. Europeans in the twentieth Christian century mixed up the theology of the Pharaohs, the cosmogony of the priest-kings of Sumeria, with the politics of the seventeenth century and the ethics of the cricket-field and prize-ring, and that in a world which had got to aeroplanes and telephones.

"My own case was typical of the limitations of the time. In that age of ceaseless novelty there was I, trying to get back by way of Latin to the half knowledge of the Ancients. Presently I began to struggle with Greek also, but I never got very far with that. I found a chance of going once a week on what was called early-closing night, after my day's work was done, to some evening classes in chemistry. And this chemistry I discovered had hardly anything in common with the chemistry of a chemist's shop. The story of matter and force that it told belonged to another and a newer age. I was fascinated by these wider revelations of the universe I lived in, I ceased to struggle with Greek and I no longer hunted the dingy book-boxes for Latin classics but for modern scientific works. Lucretius I found was hardly less out of date than Genesis. Among the books that taught me much were one called Physiography by a writer named Gregory, Clodd's Story of Creation and Lankester's Science from an Easy Chair. I do not know if they were exceptionally good books; they were the ones that happened to come to my hand and awaken my mind. But do you realise the amazing conditions under which men were living at that time, when a youngster had to go about as eager and furtive as a mouse seeking food, to get even such knowledge of the universe and himself as then existed? I still remember how I read first of the differences and resemblances between apes and men and speculations arising thencefrom about the nature of the sub-men who came before man. It was in the shed in the yard that I sat and read. Mr. Humberg was on the sofa in the parlour behind the shop sleeping off his midday meal with one ear a-cock for the shop-bell, and I, with one ear a-cock for the shop-bell and the other for any sounds of movement in the parlour, read for the first time of the forces that had made me what I was—when I ought to have been washing out bottles.

"At one point in the centre of the display behind the counter in the shop was a row of particularly brave and important-looking glass jars wearing about their bellies the gold promises of Aqua Fortis, Amm. Hyd. and such-like names, and one day as I was sweeping the floor I observed Mr. Humberg scrutinising these. He held one up to the light and shook his head at its flocculent contents. 'Harry,' he said, 'see this row of bottles?'

"'Yessir.'

"'Pour 'em all out and put in fresh water.'