This habit of mind confronts and perplexes my sense of things that simply are, with my brooding preoccupation with how they will shape presently, what they will lead to, what seed they will sow and how they will wear. At times, I can assure the reader, this quality approaches otherworldliness, in its constant reference to an all-important here-after. There are times indeed when it makes life seem so transparent and flimsy, seem so dissolving, so passing on to an equally transitory series of consequences, that the enhanced sense of instability becomes restlessness and distress; but on the other hand nothing that exists, nothing whatever, remains altogether vulgar or dull and dead or hopeless in its light. But the interest is shifted. The pomp and splendor of established order, the braying triumphs, ceremonies, consummations, one sees these glittering shows for what they are—through their threadbare grandeur shine the little significant things that will make the future....
And now that I am associating myself with great names, let me discover that I find this characteristic turn of mind of mine, not only in Heraclitus, the most fragmentary of philosophers, but for one fine passage at any rate, in Mr. Henry James, the least fragmentary of novelists. In his recent impressions of America I find him apostrophizing the great mansions of Fifth Avenue, in words quite after my heart;—
"It's all very well," he writes, "for you to look as if, since you've had no past, you're going in, as the next best thing, for a magnificent compensatory future. What are you going to make your future of, for all your airs, we want to know? What elements of a future, as futures have gone in the great world, are at all assured to you?"
I had already when I read that, figured myself as addressing if not these particular last triumphs of the fine Transatlantic art of architecture, then at least America in general in some such words. It is not unpleasant to be anticipated by the chief Master of one's craft, it is indeed, when one reflects upon his peculiar intimacy with this problem, enormously reassuring, and so I have very gladly annexed his phrasing and put it here to honor and adorn and in a manner to explain my own enterprise. I have already studied some of these fine buildings through the mediation of an illustrated magazine—they appear solid, they appear wonderful and well done to the highest pitch—and before many days now I shall, I hope, reconstruct that particular moment, stand—the latest admirer from England—regarding these portentous magnificences, from the same sidewalk—will they call it?—as my illustrious predecessor, and with his question ringing in my mind all the louder for their proximity, and the universally acknowledged invigoration of the American atmosphere. "What are you going to make your future of, for all your airs?"
And then I suppose I shall return to crane my neck at the Flat-Iron Building or the Times sky-scraper, and ask all that too, an identical question.
II
Philosophical
Certain phases in the development of these prophetic exercises one may perhaps be permitted to trace.
To begin with, I remember that to me in my boyhood speculation about the Future was a monstrous joke. Like most people of my generation I was launched into life with millennial assumptions. This present sort of thing, I believed, was going on for a time, interesting personally perhaps but as a whole inconsecutive, and then—it might be in my lifetime or a little after it—there would be trumpets and shoutings and celestial phenomena, a battle of Armageddon and the Judgment. As I saw it, it was to be a strictly protestant and individualistic judgment, each soul upon its personal merits. To talk about the Man of the Year Million was of course in the face of this great conviction, a whimsical play of fancy. The Year Million was just as impossible, just as gayly nonsensical as fairy-land....