“Well?” they said.
“The worst of all the things that haunt poor mortal man,” said I; “and that is, in all its nakedness—Fear! Fear that will not have light nor sound, that will not bear with reason, that deafens and darkens and overwhelms. It followed me through the corridor, it fought against me in the room”—
I stopped abruptly. There was an interval of silence. My hand went up to my bandages.
Then the man with the shade sighed and spoke. “That is it,” said he. “I knew that was it. A Power of Darkness. To put such a curse upon a woman! It lurks there always. You can feel it even in the daytime, even of a bright summer’s day, in the hangings, in the curtains, keeping behind you however you face about. In the dusk it creeps along the corridor and follows you, so that you dare not turn. There is Fear in that room of hers—black Fear, and there will be—so long as this house of sin endures.”
[THE CONE]
The night was hot and overcast, the sky red-rimmed with the lingering sunset of midsummer. They sat at the open window, trying to fancy the air was fresher there. The trees and shrubs of the garden stood stiff and dark; beyond in the roadway a gas-lamp burnt, bright orange against the hazy blue of the evening. Farther were the three lights of the railway signal against the lowering sky. The man and woman spoke to one another in low tones.
“He does not suspect?” said the man, a little nervously.